Ghirlandaio, Domenico (1448-1494) San Cristoforo (Saint Christopher and the Infant Christ) c.1473 Fresco, 284.5 x 149.9 cm Metropolitan Museum of Art, New York This imposing, well-preserved mural is an early work by Ghirlandaio, one of the most popular painters in late-fifteenth-century…
Ghirlandaio, Domenico (1448-1494) La Visitazione (The Visitation) 1491 Tempera on poplar wood, 172 x 167 cm Musée du Louvre, Paris
Perugino (c.1446-1523) La Natività (The Nativity) 1500–1505 Tempera on panel, transferred to canvas, 26.2 × 46.3 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his…
Perugino (c.1446-1523) Cristo e la donna di Samaria (Christ and the Woman of Samaria) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.3 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region…
Perugino (c.1446-1523) Il battesimo di Cristo (The Baptism of Christ) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.4 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond,…
Perugino (c.1446-1523) La resurrezione (The Resurrection) 1500–1505 Tempera on wood, 27 x 45.7 cm Metropolitan Museum of Art, New York This exceptionally well-preserved picture and four others in the Art Institute of Chicago formed the base (predella) of an altarpiece—possibly the large…
Perugino (c.1446-1523) San Girolamo penitente (Penitent St. Jerome) c.1502 Oil on olive wood, 29.7 × 22.5 cm Kunsthistorisches Museum, Vienna
Perugino (c.1446-1523) Battesimo di Cristo (Baptism of Christ) c.1498–1500 Oil on olive wood, 30 × 23 x 2.2 cm Kunsthistorisches Museum, Vienna
Perugino (c.1446-1523) Compianto sul Cristo morto (Lamentation over the Dead Christ) 1495 Oil on wood, 220 x 195 cm Galleria Palatina, Palazzo Pitti, Firenze
Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…