Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) c.1596–1597 Oil on canvas, 76.5 x 63.5 cm Museum of Fine Arts, Budapest Compare: Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo 1594–1595 Pinacoteca di Brera, Milano …
Carracci, Annibale (1560-1609) Domine, quo vadis? (Christ appearing to Saint Peter on the Appian Way) 1601–1602 Oil on wood, 77.4 x 56.3 cm National Gallery, London Saint Peter fled Rome after Christ’s crucifixion, scared that he too would be executed by…
Carracci, Annibale (1560-1609) Assunzione della Vergine (The Assumption of the Virgin) 1588–1590 Oil on canvas, 130 × 97 cm Museo del Prado, Madrid Annibale Carracci’s Assumption of the Virgin now in the Museo del Prado is first mentioned in the so-called…
Rubens, Peter Paul (1577-1640) Self-portrait c.1638 Oil on canvas, 110 × 85.5 × 2.4 cm Kunsthistorisches Museum, Vienna Inscription: P.P. RUBINS (!) added later on the left of the column Despite his great successes, Rubens was always ambivalent about court life.…
Mantegna, Andrea (c.1431-1506) San Sebastiano (St. Sebastian) c.1457–1459 Oil on poplar, 68 × 30 cm Kunsthistorisches Museum, Vienna Sebastian was the leader of the bodyguard of the Roman emperor Diocletian and was sentenced to death for his Christian faith. The saint…
Canaletto (1697-1768) Capriccio con reminiscenze di Padova (Capriccio with Reminiscences of Padua) c.1740–1745 Etching, 30.16 x 43.18 cm Buffalo AKG Art Museum, Buffalo See also: • Padova (Italia)
Zurbarán, Francisco de (1598-1664) San Buenaventura en el Concilio de Lyon (Saint Bonaventure at the Council of Lyon) c.1629 Oil on canvas, 250 x 225 cm Musée du Louvre, Paris Church of Saint Bonaventure College, Seville, circa 1629; deposited, by order of…
Gainsborough, Thomas (1727-1788) Conversation in a Park (Gainsborough and his wife?) c.1746–1748 Oil on canvas, 73 × 68 cm Musée du Louvre, Paris An early example of a conversation piece by Gainsborough. Often compared with Gainsborough‘s drawn portrait, from the same…
Bellotto, Bernardo (1721-1780) La chiusa di Dolo (The Lock at Dolo) c.1745 Oil on canvas, 73.8 × 108.7 cm Yale University Art Gallery, New Haven See also: • Dolo (Italia)