Ingres, Jean Auguste Dominique (1780-1867) La Vénus couchée d’Urbino, d’après le Titien (Reclining Venus of Urbino, after Titian) 1822 Oil on canvas, 116 x 168 cm Walters Art Museum, Baltimore Compare: Tiziano (c.1488-1576) Venere di Urbino 1538 Galleria degli Uffizi, Firenze
Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1842 Oil on canvas, 76 x 105 cm Walters Art Museum, Baltimore This is a replica of the 1839 painting in the Fogg Museum, Cambridge. The landscape in the background was…
Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1839–1840 Oil on canvas, 72.1 x 100.3 cm Fogg Museum, Cambridge, MA Compare: Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave 1842 Walters Art Museum, Baltimore
Ingres, Jean Auguste Dominique (1780-1867) Raphaël et la Fornarina (Raphael and the Fornarina) 1814 Oil on canvas, 64.8 x 53.3 cm Fogg Museum, Cambridge, MA Compare: Raffaello (1483-1520) La Fornarina c.1520 Palazzo Barberini, Roma Raffaello (1483-1520) Madonna della Seggiola 1513–1514 Galleria Palatina, Firenze…
Ingres, Jean Auguste Dominique (1780-1867) Le compositeur Cherubini et la Muse de la poésie lyrique (The composer Cherubini and the Muse of lyric poetry) 1842 Oil on canvas, 105 x 94 cm Musée du Louvre, Paris Cherubini seated, elbow resting on a…
Ingres, Jean Auguste Dominique (1780-1867) Homère déifié, dit aussi L’apothéose d’Homère (Homer deified, also known as The Apotheosis of Homer) 1827 Oil on canvas, 386 x 512 cm Musée du Louvre, Paris In front of a temple with a pediment inscribed…
Parmigianino (1503-1540) Madonna dal collo lungo (Long-necked Madonna) 1534–1540 Oil on panel, 216.5 x 132.5 cm Galleria degli Uffizi, Firenze
Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) c.1596–1597 Oil on canvas, 76.5 x 63.5 cm Museum of Fine Arts, Budapest Compare: Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo 1594–1595 Pinacoteca di Brera, Milano …
Carracci, Annibale (1560-1609) Domine, quo vadis? (Christ appearing to Saint Peter on the Appian Way) 1601–1602 Oil on wood, 77.4 x 56.3 cm National Gallery, London Saint Peter fled Rome after Christ’s crucifixion, scared that he too would be executed by…
Carracci, Annibale (1560-1609) Assunzione della Vergine (The Assumption of the Virgin) 1588–1590 Oil on canvas, 130 × 97 cm Museo del Prado, Madrid Annibale Carracci’s Assumption of the Virgin now in the Museo del Prado is first mentioned in the so-called…