Perugino (c.1446-1523) Trittico Galitzin (The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with…
Angelico, Fra (c.1395-1455) I beati domenicani II (The Dominican Blessed) c.1423–1424 Egg tempera on wood, 31.6 x 21.9 cm National Gallery, London This panel shows the Dominican Blessed, both tertiaries (those who lived in general society rather than a convent, but were…
Angelico, Fra (c.1395-1455) I precursori di Cristo con santi e martiri (The Forerunners of Christ with Saints and Martyrs) c.1423–1424 Egg tempera on wood, 31.9 x 63.5 cm National Gallery, London This panel comes from the predella (the lowest part) of an…
Angelico, Fra (c.1395-1455) La Vergine Maria con gli apostoli e gli altri santi (The Virgin Mary with the Apostles and Other Saints) c.1423–1424 Egg tempera on wood, 32 x 64 cm National Gallery, London This panel comes from the predella (the lowest…
Angelico, Fra (c.1395-1455) Crocifissione (The Crucifixion) c.1420–1423 Tempera on wood, gold ground, 63.8 x 48.3 cm Metropolitan Museum of Art, New York This early work by Fra Angelico accentuates the drama of the Crucifixion by showing the Virgin collapsed in grief with…
Angelico, Fra (c.1395-1455) Crocifissione (The Crucifixion) c.1440 Tempera transferred to canvas, laid down on wood, gold ground, 34 x 50.2 cm Metropolitan Museum of Art, New York To the left of the Crucifixion are shown Saints Monica, her son Augustine, and Peter…
Giotto (c.1267-1337) Crocifisso di Santa Maria Novella (Crucifix of Santa Maria Novella) c.1288–1289 Tempera on wood, 578 x 406 cm Santa Maria Novella, Firenze At the center of the nave, high above the steps that separate the lower from the upper…
Raffaello (1483-1520) Madonna della Seggiola (Madonna of the Chair) c.1512 Oil on wood, diameter 71 cm Galleria Palatina, Firenze Mary is seen from the side, seated on a ‘chamber chair’, a type of seat reserved for the high dignitaries of the papal…
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Siddal, Elizabeth (1829-1862) Lady Affixing Pennant to a Knight’s Spear c.1856 Watercolour on paper, 13.7 x 13.7 cm Tate Britain, London