Rubens, Peter Paul (1577-1640) Bacchus 1638–1640 Oil on canvas, 191 x 161.3 cm Hermitage Museum, Saint Petersburg Bacchanalia was a favourite theme in Rubens‘s work, although Bacchus himself was rarely the subject of his paintings. He saw the subject as reflecting…
Matisse, Henri (1869-1954) Le petit déjeuner (Breakfast) 1920 Oil on canvas, 64.1 x 73.8 cm Philadelphia Museum of Art, Philadelphia
Picasso, Pablo (1881-1973) Le gourmet 1901 Oil on canvas, 92.8 x 68.3 cm National Gallery of Art, Washington Painted almost entirely in shades of cool blues, a little girl stands at a table holding a bowl and spoon in this vertical…
Abbéma, Louise (1853-1927) Portrait de Sarah Bernhardt (Portrait of Sarah Bernhardt) 1921 Oil on canvas, 87 x 120 cm Musée d’Orsay, Paris See also: • Bernhardt, Sarah (1844-1923)
Tissot, James (1836-1902) Mauvaises nouvelles, la séparation (Bad News, The parting) 1872 Oil on canvas, 68.6 x 91.4 cm National Museum Wales, Cardiff Compare: Tissot, James (1836-1902) Le Thé 1872 Metropolitan Museum of Art, New York Tissot, James (1836-1902) Une histoire intéressante c.1872…
Tissot, James (1836-1902) Le Thé (Tea) 1872 Oil on wood, 66 x 47.9 cm Metropolitan Museum of Art, New York When Tissot moved to London in 1871, he immersed himself in the local scene, with work for Vanity Fair and genre…
Bracquemond, Marie (1840-1916) Le goûter (The tea in the afternoon) c.1880 Oil on canvas, 99.5 x 79 cm Petit Palais, Paris See also: • Quivoron, Louise (1849-?)
Signac, Paul (1863-1935) La salle à manger, Opus 152 (The Dining Room, Opus 152) 1886–1887 Oil on canvas, 89.5 x 116.5 cm Kröller-Müller Museum, Otterlo Meeting The young Signac begins his painting career as an impressionist. That changes in 1884 when…
Cárcova, Ernesto de la (1866-1927) Naturaleza en silencio (Nature in Silence) 1926 Oil on canvas, 73 x 91.5 cm Museo Nacional de Bellas Artes, Buenos Aires
Hassam, Childe (1859-1935) Strawberry Tea Set 1912 Oil on canvas, 93.19 x 96.36 cm Los Angeles County Museum of Art, LA Around 1910 Hassam began depicting single female figures set in comfortable domestic interiors. The critic Royal Cortissoz referred to these paintings…