Reynolds, Joshua (1723-1792) A Nymph and Cupid: ‘The Snake in the Grass’ exhibited 1784 Oil on canvas, 124.5 x 99.1 cm Tate Britain, London Compare: Reynolds, Joshua (1723-1792) Cupid Untying the Zone of Venus 1788 Hermitage Museum, Saint Petersburg
Reynolds, Joshua (1723-1792) Cupid Untying the Zone of Venus 1788 Oil on canvas, 127.5 x 101 cm Hermitage Museum, Saint Petersburg This is an autograph version of Reynolds‘s famous picture of 1784, painted for Lord Carysfort (now Tate Gallery, London). Carysfort,…
David, Jacques-Louis (1748-1825) Sapho, Phaon et l’Amour (Sappho, Phaon and Cupid) 1809 Oil on canvas, 225.3 x 262 cm Hermitage Museum, Saint Petersburg David is considered the founder and leading light of Neoclassicism, which dominated art in the late 18th and…
Jordaens, Jacob (1593-1678) Allegorical Family Portrait early 1650s Oil on canvas, 178.4 x 152.3 cm Hermitage Museum, Saint Petersburg This group portrait is an allegorical depiction of a scene of betrothal or marriage. That is confirmed by the inclusion in the…
Géricault, Théodore (1791-1824) Diane (Diana) Early 19th century Wash, pen on paper, 17.3 x 12 cm Museo del Prado, Madrid The composition is almost identical, with the same dimensions, to a Venus disarming Cupid (New York, Sotheby’s, January 28, 2015, n.…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Cupid Making His Bow) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna
Gentileschi, Orazio (1563-1639) Danae e la pioggia d’oro (Danae and the Shower of Gold) 1621–1623 Oil on canvas, 161.5 × 227.1 cm Getty Center, Los Angeles This painting is part of a series of works executed by Gentileschi in 1622 for…
Gentileschi, Orazio (1563-1639) Danae c.1623 Oil on canvas, 162 x 228.5 cm Cleveland Museum of Art, Cleveland The gauzy scarf draped over Danaë was a studio prop present in many of Orazio‘s paintings. Danaë’s father feared a prophecy that his grandson…
David, Jacques-Louis (1748-1825) Cupidon et Psyché (Cupid and Psyche) 1817 Oil on canvas, 184.2 x 241.6 cm Cleveland Museum of Art, Cleveland Jacques-Louis David included two butterflies in this painting: one above the slumbering Psyche and the other on the base…
Turner, Joseph Mallord William (1775-1851) Mars and Venus, after Guercino 1802 Graphite on paper, 12.8 × 11.4 cm Tate Britain, London Compare: Guercino (1591-1666) Venere, Marte e Amore 1633 Galleria Estense, Modena
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