Rembrandt (1606-1669) Titus, the Artist’s Son c.1657 Oil on canvas, 68.5 x 57.3 cm Wallace Collection, London Titus van Rijn (1641-68) was the only one of Rembrandt’s four children by his first wife Saskia to survive infancy. A portrait of…
Rembrandt (1606-1669) Self Portrait as the Apostle Paul 1661 Oil on canvas, 91 x 77 cm Rijksmuseum, Amsterdam Rembrandt is 55 years old in this self-portrait, and he still looks at himself candidly. Here he assumes the guise of a…
Rembrandt (1606-1669) Self-Portrait c.1628 Oil on panel, 22.6 x 18.7 cm Rijksmuseum, Amsterdam As inexperienced as he is, the young Rembrandt does not shy away from experimenting. Here the light rakes his right cheek while the rest of his face…
Flinck, Govert (1615-1660) Self-Portrait with Beret c.1640 Oil on panel, 66 × 51.4 cm Kelvingrove Art Gallery and Museum, Glasgow Compare: Flinck, Govert (1615-1660) Self Portrait aged 24 1639 National Gallery, London
Rembrandt (1606-1669) Self-Portrait 1659 Oil on canvas, 84.5 x 66 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a…
Rembrandt (1606-1669) Portrait of a Gentleman with a Tall Hat and Gloves c.1656–1658 Oil on canvas transferred to canvas, 99.5 x 82.5 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van…
Lairesse, Gérard de (1641-1711) Maternal Love (Caritas) c.1685 Oil on canvas, 57 x 48.5 cm Hermitage Museum, Saint Petersburg
Zurbarán, Francisco de (1598-1664) Visión de san Pedro Nolasco (Vision of St. Peter Nolasco) 1629 Oil on canvas, 179 x 223 cm Museo del Prado, Madrid Founder of the order of la Merced Calzada, the saint is depicted kneeling, leaning on…
Guercino (1591-1666) Autoritratto mentre dipinge ‘Amore fedele’ (Self-Portrait before a Painting of “Amor Fedele”) 1655 Oil on canvas, 116 x 95.6 cm National Gallery of Art, Washington In this vertical portrait painting, a pale-skinned, bearded man holding a painter’s palette…
Guercino (1591-1666) Amor virtuoso (Cupid Spurning Riches) c.1653 Oil on canvas, 99 x 75 cm Museo del Prado, Madrid The papal nuncio to Spain, Camillo Massimo (1620–1677), presented Guercino’s Cupid spurning Riches and Guido Reni’s Cupid with a Bow (P150)…