Van der Weyden, Rogier (c.1399-1464) Madonna and Child c.1430–1432 or c.1451 Oil on oak panel, 18.9 x 12.1 cm Kunsthistorisches Museum, Vienna Left wing of a diptych. Right wing: Van der Weyden, Rogier (c.1399-1464) St. Catherine c.1430–1432 or c.1451 Kunsthistorisches Museum, Vienna Mary with…
Van der Weyden, Rogier (c.1399-1464) St. Catherine c.1430–1432 or c.1451 Oil on oak panel, 18.5 x 11.8 cm Kunsthistorisches Museum, Vienna Right wing of a diptych. Left wing: Van der Weyden, Rogier (c.1399-1464) Madonna and Child c.1430–1432 or c.1451 Kunsthistorisches Museum, Vienna…
Martini, Simone (c.1284-1344) L’Angelo dell’Annunciazione (The Angel of the Annunciation) c.1330 Tempera on poplar panel, 29.5 x 20.5 cm National Gallery of Art, Washington This small, rich panel was originally the left side of a diptych, which, along with a right-hand panel…
Martini, Simone (c.1284-1344) Madonna dell’Annunciazione (Madonna from the Annunciation Scene) 1340–1344 Tempera on poplar panel, 30.5 x 21.5 cm Hermitage Museum, Saint Petersburg This painting was once the right-hand wing of a folding diptych showing the Annunciation. The left wing, with…
Campin, Robert (c.1378-1444) The Virgin and Child by a Fireplace 1430s Oil on wood panel, 34.3 x 24.5 cm Hermitage Museum, Saint Petersburg This is the right wing of the Trinity Diptych (1430s). This altar diptych consists of two scenes, The Trinity…
Campin, Robert (c.1378-1444) God the Father enthroned, supporting the dead body of Christ 1430s Oil on wood panel, 34.3 x 24.5 cm Hermitage Museum, Saint Petersburg This is the left wing of the Trinity Diptych (1430s). This panel forms a pair…
Van Eyck, Jan (c.1390-1441) The Annunciation Diptych c.1433–1435 Oil on panel, left wing: 38.8 x 23.2 cm; right wing: 39 x 24 cm Museo Thyssen-Bornemisza, Madrid This diptych is an outstanding example of grisaille painting. Here, van Eyck deliberately rejects the…
Van Eyck, Jan (c.1390-1441) & Workshop Crucifixion and Last Judgement Diptych c.1440–1441 Oil on canvas, transferred from wood, 56.5 x 19.7 cm Metropolitan Museum of Art, New York The Crucifixion. The Last Judgement. Philip the Good, duke of Burgundy, considered Van…