Gentileschi, Artemisia (1593-c.1653) Autoritratto come martire (Self-portrait as a Martyr) c.1615 Oil on panel, 31.7 x 24.8 cm Private collection
Autoritratto come martire (c.1615)
Tag: drapery
Ecce Homo (c.1525-1530)
Correggio (c.1489-1534) Ecce Homo (Christ presented to the People) c.1525–1530 Oil on poplar, 99.7 x 80 cm National Gallery, London Correggio shows Christ bound and crowned with thorns at the moment when he is condemned to be crucified by Pontius Pilate.…
Matrimonio mistico di santa Caterina (c.1527-1531)
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…
Visione di san Girolamo (1526-1527)
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Madonna dal collo lungo (1534-1540)
Parmigianino (1503-1540) Madonna dal collo lungo (Long-necked Madonna) 1534–1540 Oil on panel, 216.5 x 132.5 cm Galleria degli Uffizi, Firenze
Santa Taide
Parmigianino (1503-1540) Santa Taide (Saint Thaïs) s.d. Etching National Gallery of Art, Washington
Lucrezia (c.1539)
Parmigianino (1503-1540) Lucrezia (Lucretia) c.1539 Watercolor over black chalk, 29.8 x 20.9 cm National Gallery of Art, Washington
Matrimonio mistico di santa Caterina (c.1529)
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) c.1529 Oil on wood, 21 × 27 cm Musée du Louvre, Paris Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1529 Private collection Parmigianino (1503-1540) Matrimonio mistico di…
Ritratto di un dignitario (c.1535)
Parmigianino (1503-1540) Ritratto di un dignitario (Portrait of a dignitary) c.1535 Oil on poplar, 117.5 × 97.7 cm Kunsthistorisches Museum, Vienna The grandiose portrayal of the menacingly close man with his head turned to the side oscillates between violence and passivity, between…
Ratto di Ganimede (c.1530)
Correggio (c.1489-1534) Ratto di Ganimede (Abduction of Ganymede) c.1530 Oil on canvas, 163.5 × 72 cm Kunsthistorisches Museum, Vienna Companion: Correggio (c.1489-1534) Giove e Io c.1530 Kunsthistorisches Museum, Vienna