Tag: dress

Matrimonio mistico di santa Caterina (c.1527-1531)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…

Visione di san Girolamo (1526-1527)

Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…

Santa Taide

Parmigianino (1503-1540) Santa Taide (Saint Thaïs) s.d. Etching National Gallery of Art, Washington

Ritratto di dama (1520-1524)

Correggio (c.1489-1534) Ritratto di dama (Portrait of a Lady) 1520–1524 Oil on canvas, 103 × 87.5 cm Hermitage Museum, Saint Petersburg A sensual version of Raphaelesque grace was produced by Antonio Allegri, known as Correggio, a painter who worked in Parma.…

Matrimonio mistico di santa Caterina (c.1526-1527)

Correggio (c.1489-1534) Matrimonio mistico di santa Caterina alla presenza di san Sebastiano (The Mystic Marriage of Saint Catherine in the presence of Saint Sebastian; in the landscape, martyrs of two saints) c.1526–1527 Oil on wood, 105 × 102 cm Musée du…

Portia (1886)

Millais, John Everett (1829-1896) Portia 1886 Oil on canvas, 125.1 x 83.8 cm Metropolitan Museum of Art, New York In Shakespeare’s play The Merchant of Venice, the resourceful heroine Portia disguises herself in lawyer’s robes. Her intention is to outwit the…

Mariana (1851)

Millais, John Everett (1829-1896) Mariana 1851 Oil on mahogany, 59.7 x 49.5 cm Tate Britain, London When it was first exhibited at the Royal Academy in 1851, this picture was accompanied by the following lines from Tennyson‘s Mariana (1830): She only said,…