Caravaggio (1571-1610) Narciso (Narcissus) 1597–1599 Oil on canvas, 113.3 x 94 cm Palazzo Barberini, Roma The classical myth of Narcissus had been frequently represented since antiquity, but the version by Caravaggio is distinguished by its unusual compositional scheme, conceived rather like a…
Caravaggio (1571-1610) Giuditta e Oloferne (Judith Beheading Holofernes) c.1599 Oil on canvas, 145 x 195 cm Palazzo Barberini, Roma Three characters and a red cloth in the background: few elements, capable of orchestrating a true theater of opposites. Darkness and light,…
Caravaggio (1571-1610) Conversione di San Paolo (Conversion of Saint Paul) 1600–1601 Oil on canvas, 230 x 175 cm Cappella Cerasi, Santa Maria del Popolo, Roma Compare: Caravaggio (1571-1610) Conversione di San Paolo 1600 Odescalchi Balbi Collection, Roma
Caravaggio (1571-1610) San Matteo e l’angelo (Inspiration of Saint Matthew) 1602 Oil on canvas 296.5 x 195 cm Cappella Contarelli, San Luigi dei Francesi, Roma
Bazille, Frédéric (1841-1870) Pêcheur au filet (Fisherman with a net) 1868 Oil on canvas, 134 x 83 cm Private collection
Bazille, Frédéric (1841-1870) Vue de village (View of the Village) 1868 Oil on canvas, 137.5 x 85.5 cm Musée Fabre, Montpellier Produced in Montpellier on the family property of Mas Méric overlooking the Lez and the village of Castelnau, the Village View…
Bazille, Frédéric (1841-1870) Autoportrait (Self-Portrait with Detachable Collar) 1865–1867 Oil on canvas, 53.98 x 46.04 cm Minneapolis Institute of Art, Minneapolis
Bazille, Frédéric (1841-1870) La Négresse aux pivoines (African Woman with Peonies) 1870 Oil on canvas 60.50 x 75.40 cm Musée Fabre, Montpellier
Bazille, Frédéric (1841-1870) La robe rose (The Pink Dress) 1864 Oil on canvas, 110 x 148 cm Musée d’Orsay, Paris Originally from Montpellier, Bazille moved to Paris in 1862 to continue studying medicine. While attending the university, he used to visit Gleyre’s…
Bazille, Frédéric (1841-1870) La Toilette 1870 Oil on canvas, 130 x 128 cm Musée Fabre, Montpellier Inspired by the orientalist imagination as well as the biblical universe, the painting depicts a modern Bathsheba being prepared by two servants for nuptial union. This…