Carriera, Rosalba (1675-1757) Autoritratto come l’inverno (Self-Portrait as Winter) 1730–1731 Pastel on paper, 46.5 x 34 cm Gemäldegalerie Alte Meister, Dresden
Autoritratto come l’inverno (1730-1731)
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Femme aux pigeons (c.1865)
Courbet, Gustave (1819-1877) Femme aux pigeons (Woman with Pigeons) c.1865 Oil on canvas, 79.7 x 60.6 cm Barnes Foundation, Philadelphia Though Gustave Courbet was best known for his early paintings of French peasants, in later decades he focused on scenes of animals,…
Ritratto di giovane donna (c.1536)
Tiziano (c.1488-1576) Ritratto di giovane donna (Portrait of a Young Woman) c.1536 Oil on canvas, 96 x 75 cm Hermitage Museum, Saint Petersburg In his portraits, Titian, one of the best portrait painters in Europe, took a radically different approach to male…
Venere allo specchio (c.1555)
Tiziano (c.1488-1576) Venere allo specchio (Venus with a Mirror) c.1555 Oil on canvas, 124.5 x 105.5 cm National Gallery of Art, Washington Titian’s goddess of love and beauty conjures the sense of touch. Observing her flushed cheek, one can almost feel its…
Isabella Brant (1621)
Van Dyck, Anthony (1599-1641) Isabella Brant 1621 Oil on canvas, 153 x 120 cm National Gallery of Art, Washington Isabella Brant was the first wife of the Antwerp master Peter Paul Rubens, whom she married shortly after his return from Italy…
Arrest of Jesus (c.1510-1520)
Bosch, Hieronymus (c.1450-1516) Arrest of Jesus c.1510–1520 Oil and gold on panel Museo de Bellas Artes, Valencia This is the left panel of the Passion Triptych. See also: Bosch, Hieronymus (c.1450-1516) Passion Triptych c.1510–1520 Museo de Bellas Artes, Valencia
Morte di Cleopatra (c.1525)
Rosso Fiorentino (1495-1540) Morte di Cleopatra (Death of Cleopatra) c.1525 Oil on canvas, 98.5 x 76.5 cm Herzog Anton Ulrich Museum, Braunschweig See also: • Cleopatra (69-30 BC) | Egypt
Omaggio a Velázquez (c.1692-1700)
Giordano, Luca (1634-1705) Omaggio a Velázquez (A Homage to Velázquez) c.1692–1700 Oil on canvas, 205.2 x 182.2 cm National Gallery, London The title of this painting originates from the idea that the man seated in the centre represents Diego Velázquez at the…
Ratto di Europa (c.1570)
Veronese, Paolo (1528-1588) Ratto di Europa (The Rape of Europa) c.1570 Oil on canvas glued to oak panel, 59.5 x 70 cm National Gallery, London The story of the Rape of Europa is told in Ovid’s Metamorphoses. Mercury is ordered by his…
L’unione felice (c.1575)
Veronese, Paolo (1528-1588) Allegorie dell’amore: L’unione felice (Four Allegories of Love: Happy Union) c.1575 Oil on canvas, 187.4 x 186.7 cm National Gallery, London This is one of a series of four paintings by Veronese that concern the trials and rewards of…