Tag: earring

Saskia

Flinck, Govert (1615-1660) Saskia s.d. Red chalk on laid paper, 16.6 x 11.9 cm National Gallery of Art, Washington See also: • Uylenburgh, Saskia van (1612-1642)

A Young Woman as a Shepherdess

Flinck, Govert (1615-1660) A Young Woman as a Shepherdess s.d. Oil on canvas, transferred from wood, 66.7 x 50.5 cm Metropolitan Museum of Art, New York Inscribed (lower right): Rembrandt f. / 1632.

La Morte di Cleopatra (c.1645-1655)

Cagnacci, Guido (1601-1663) La Morte di Cleopatra (The Death of Cleopatra) c.1645–1655 Oil on canvas, 95 × 75 cm Metropolitan Museum of Art, New York The subject, from Plutarch’s Lives (1st century A.D.), is Cleopatra’s suicide by an asp bite following the…

Femme cousant (c.1879)

Morisot, Berthe (1841-1895) Femme cousant (Woman Sewing) c.1879 Oil on canvas, 65.405 x 54.61 cm Buffalo AKG Art Museum, Buffalo One of the few female painters associated with Impressionism, Berthe Morisot created a niche for herself with instinctive paintings of domestic…

Femme à l’éventail (c.1879)

Renoir, Pierre-Auguste (1841-1919) Femme à l’éventail (Woman with a Fan) c.1879 Oil on canvas, 65.4 x 54 cm Clark Art Institute, Williamstown See also: • Samary, Jeanne (1857-1890)

La Lecture interrompue (c.1870)

Corot, Jean-Baptiste-Camille (1796-1875) La Lecture interrompue (Interrupted Reading) c.1870 Oil on canvas mounted on board, 92.5 × 65.1 cm Art Institute of Chicago, Chicago Interrupted Reading is among the most compelling of Camille Corot’s late figure paintings. Corot almost never exhibited…

Femme à sa toilette (c.1875-1880)

Morisot, Berthe (1841-1895) Femme à sa toilette (Woman at Her Toilette) c.1875–1880 Oil on canvas, 60.3 × 80.4 cm Art Institute of Chicago, Chicago Consistent with the Impressionist aesthetic that Berthe Morisot fervently espoused, Woman at Her Toilette attempts to capture…