Alma-Tadema, Lawrence (1836-1912) Mary Magdalene 1854 Oil on paper on panel, 31 × 35 cm Rijksmuseum, Amsterdam Head of a young woman. Together with SK-A-4173 forms a bust of Mary Magdalene. (RIJKS)
Mary Magdalene (1854)
Tag: England
Landscape (s.d.)
Turner, Joseph Mallord William (1775-1851) Landscape s.d. Oil on panel, 63.3 x 90.7 cm Hermitage Museum, Saint Petersburg Attributed to Joseph Mallord William Turner (1775-1851).
Francis Bacon
(1909–1992) The artist’s works: Three Studies for Figures at the Base of a Crucifixion 1944 Tate Britain, London Study for a Portrait 1952 Tate Britain, London Study for Crouching Nude 1952 Detroit Institute of Arts, Detroit Study for ‘Portrait of Van Gogh IV’…
Infant Hercules Strangling Serpents (1786)
Reynolds, Joshua (1723-1792) Infant Hercules Strangling Serpents 1786 Oil on canvas, 303 x 297 cm Hermitage Museum, Saint Petersburg In 1785 Joshua Reynolds, President of the Royal Academy of Arts in London, was commissioned by Catherine II of Russia to paint…
A Nymph and Cupid: ‘The Snake in the Grass’ (1784)
Reynolds, Joshua (1723-1792) A Nymph and Cupid: ‘The Snake in the Grass’ exhibited 1784 Oil on canvas, 124.5 x 99.1 cm Tate Britain, London Compare: Reynolds, Joshua (1723-1792) Cupid Untying the Zone of Venus 1788 Hermitage Museum, Saint Petersburg
Cupid Untying the Zone of Venus (1788)
Reynolds, Joshua (1723-1792) Cupid Untying the Zone of Venus 1788 Oil on canvas, 127.5 x 101 cm Hermitage Museum, Saint Petersburg This is an autograph version of Reynolds‘s famous picture of 1784, painted for Lord Carysfort (now Tate Gallery, London). Carysfort,…
Continence of Scipio (1789)
Reynolds, Joshua (1723-1792) Continence of Scipio 1789 Oil on canvas, 239.5 x 165.5 cm Hermitage Museum, Saint Petersburg In 1785 the British diplomat Lord Carysfort was entrusted with a commission to Reynolds for two paintings, one for Catherine the Great of…
Swinging (1925)
Kandinsky, Wassily (1866-1944) Swinging (Schaukeln) 1925 Oil on board, 70.5 × 50.2 cm Tate Britain, London The title ‘Swinging’ captures this work’s sense of movement. Kandinsky believed painting should aim to be as abstract as music. He worked to create art that…
Cossacks (1910-1911)
Kandinsky, Wassily (1866-1944) Cossacks (Cosaques) 1910–1911 Oil on canvas, 94.6 × 111.8 cm Tate Britain, London The ‘cossacks’ of the title are Russian cavalrymen which you can just recognise from their orange hats at the top and right of the painting. However…
Pont de la Concorde (1913-1915)
Bonnard, Pierre (1867-1947) Pont de la Concorde 1913–1915 Oil on canvas, 60 × 83.2 cm Tate Britain, London A view from the Pont de la Concorde in Paris, looking up the Seine towards the Ile de la Cité and Notre-Dame. The other…