Constable, John (1776-1837) The Lock (Landscape) c.1820–1825 Oil on canvas, 71.5 x 92 cm Art Institute of Chicago, Chicago Attributed to John Constable.
Blake, William (1757-1827) The Day of Judgment 1805 Pen, ink and watercolor, over graphite, on paper, laid down on tan board, 27.4 × 22.2 cm Art Institute of Chicago, Chicago
Alma-Tadema, Lawrence (1836-1912) The Bowman (frontispiece from The Epic of Kings, Stories Retold from Firdusi) 1882 Etching in black on cream wove paper, 18.7 × 13.7 cm Art Institute of Chicago, Chicago This etching is one of two prints that Sir Lawrence…
Rossetti, Dante Gabriel (1828-1882) Desdemona’s Death-Song 1878–1880 Black chalk over traces of red chalk on two joined sheets of blue-green paper, 127 x 101.6 cm National Gallery of Art, Washington See also: • Shakespeare, William (1564-1616)
Constable, John (1776-1837) Wivenhoe Park, Essex 1816 Oil on canvas, 56.1 x 101.2 cm National Gallery of Art, Washington We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in…
Constable, John (1776-1837) The White Horse 1818–1819 Oil on canvas, 127 x 183 cm National Gallery of Art, Washington This six-foot-wide canvas was something new for a 19th-century artist: it’s a sketch the same size as the final painting (now in the…
Constable, John (1776-1837) Cloud Study: Stormy Sunset 1821–1822 Oil on paper on canvas, 20.3 x 27.3 cm National Gallery of Art, Washington This horizontal painting is filled with gray and white clouds against a blue sky. Wisps of white clouds are interspersed…