Cagnacci, Guido (1601-1663) Morte di Cleopatra (The Death of Cleopatra) after 1659 Oil on canvas, 153 x 169 cm Kunsthistorisches Museum, Vienna Inscribed at the bottom right of the armrest support: GVIDO CAGNAZZI The last queen of Egypt, Cleopatra, let herself…
Guercino (1591-1666) L’estasi di San Francesco (The Ecstasy of St. Francis) c.1620–1621 Oil on canvas, 162 x 127 cm Gemäldegalerie Alte Meister, Dresden
Guercino (1591-1666) Sant’Antonio da Padova col Bambino Gesù (Saint Anthony of Padua with the Infant Christ) 1656 Oil on canvas, 91 x 74 cm Private collection
Guercino (1591-1666) Matrimonio mistico di santa Caterina (Mystical Marriage of St Catherine of Alexandria) c.1620 Oil on canvas, 89 x 75.7 cm Gemäldegalerie, Berlin Typical of Guercino‘s early, pre-Roman phase are the very delicate gradations of the main sections, shimmering…
Guercino (1591-1666) San Luca dipinge la Vergine (St Luke Displaying a Painting of the Virgin) 1652–1653 Oil on canvas, 220.98 x 180.34 cm Nelson-Atkins Museum, Kansas City
Guercino (1591-1666) Semiramide chiamata alle armi (Semiramis called to Arms) 1645 Oil on canvas, 130 x 152 cm Private collection
Guercino (1591-1666) Semiramide riceve la notizia della rivolta di Babilonia (Semiramis Receiving Word of the Revolt of Babylon) 1624 Oil on canvas, 112.4 x 154.6 cm Museum of Fine Arts, Boston Interrupted at her toilette by news of a revolt,…
Guercino (1591-1666) Cristo e l’adultera (The Woman taken in Adultery) c.1621 Oil on canvas, 98.2 x 122.7 cm Dulwich Picture Gallery, London In the Gospel of John – in the New Testament of the Bible, according to the Christian tradition…
Guercino (1591-1666) Abramo ripudia Agar e Ismaele (Abraham casting out Hagar and Ishmael) 1657 Oil on canvas, 115 x 152 cm Pinacoteca di Brera, Milano Guercino sets the story of Abraham, aged 100, casting out the slave Hagar and their…
Guercino (1591-1666) Cristo risorto appare alla madre (The Resurrected Christ Appears to the Virgin) 1629 Oil on canvas, 260 x 179.5 cm Civica Pinacoteca Il Guercino, Cento Wrapped in a metallic-colored drapery, beautiful and solemn in his gait, with the flag…