Caravaggio (1571-1610) Bacchino malato, Autoritratto in veste di Bacco (Sick Bacchus, Self-portrait as Bacchus) c.1595 Oil on canvas, 67 x 53 cm Galleria Borghese, Roma Like the Giovane con canestra di frutta [Young Man with a Basket of Fruit] (inv. 136), this…
Caravaggio (1571-1610) Giovane con canestra di frutta (Boy with a basket of fruit) c.1595 Oil on canvas, 70 x 67 cm Galleria Borghese, Roma The canvas comes from the group of works confiscated in 1607 from Giuseppe Cesari, known as the Cavalier…
Caravaggio (1571-1610) Adorazione dei Pastori (Adoration of the Shepherds) 1609 Oil on canvas, 314 x 211 cm Museo Regionale, Messina
Caravaggio (1571-1610) Sacrificio di Isacco (Sacrifice of Isaac) c.1603 Oil on canvas, 104 x 135 cm Galleria degli Uffizi, Firenze The painting illustrates the Old Testament passage in which God subjected Abraham to an extraordinary test of obedience by ordering him to…
Caravaggio (1571-1610) Incredulità di San Tommaso (The Incredulity of Saint Thomas) c.1601 Oil on canvas, 107 x 146 cm Bildergalerie Sanssouci, Potsdam
Caravaggio (1571-1610) Amor Vincit Omnia (Love Conquers All / Cupid as Victor) 1601–1602 Oil on canvas, 156.5 x 113.3 cm Gemäldegalerie, Berlin Around 1592/93, Caravaggio came to Rome from Lombardy, bringing with him formative impressions of the works of Savoldo, Lotto, Romanino…
Caravaggio (1571-1610) San Francesco in meditazione (Saint Francis in Meditation) 1606–1607 Oil on canvas, 123 x 92.5 cm Palazzo Barberini, Roma In a gloomy and arid scenery, Saint Francis wraps a skull with his hands. He is meditating about death, considered to…
Caravaggio (1571-1610) Narciso (Narcissus) 1597–1599 Oil on canvas, 113.3 x 94 cm Palazzo Barberini, Roma The classical myth of Narcissus had been frequently represented since antiquity, but the version by Caravaggio is distinguished by its unusual compositional scheme, conceived rather like a…
Caravaggio (1571-1610) Giuditta e Oloferne (Judith Beheading Holofernes) c.1599 Oil on canvas, 145 x 195 cm Palazzo Barberini, Roma Three characters and a red cloth in the background: few elements, capable of orchestrating a true theater of opposites. Darkness and light,…
Caravaggio (1571-1610) Estasi di San Francesco (Francis of Assisi in Ecstasy) c.1595–1596 Oil on canvas, 94 x 129.5 cm Wadsworth Atheneum, Hartford Curatorial Narrative: Caravaggio revolutionized the painting of his era through a theatrical use of light, dramatic narrative, and the naturalistic…