Turner, Joseph Mallord William (1775-1851) The Dogana and Santa Maria della Salute, Venice 1843 Oil on canvas, 62 x 93 cm National Gallery of Art, Washington Through a golden haze and across an expanse of gently rippling water dotted with…
Turner, Joseph Mallord William (1775-1851) Approach to Venice 1844 Oil on canvas, 62 x 94 cm National Gallery of Art, Washington When Approach to Venice was first exhibited in 1844, Joseph Mallord William Turner quoted Lord Byron in the catalog…
Turner, Joseph Mallord William (1775-1851) Rotterdam Ferry-Boat 1833 Oil on canvas, 92.3 x 122.5 cm National Gallery of Art, Washington A passenger boat, its bright tan sails reflecting the sun, careens among choppy water with at least eight more sailboats…
Turner, Joseph Mallord William (1775-1851) The Junction of the Thames and the Medway 1807 Oil on canvas, 108.8 x 143.7 cm National Gallery of Art, Washington We look across churning waves at four sailing ships and a wooden rowboat with…
Turner, Joseph Mallord William (1775-1851) Mortlake Terrace: Early Summer Morning 1826 Oil on canvas, 93 x 123.2 cm The Frick Collection, New York See also: • Mortlake Terrace (London)
Turner, Joseph Mallord William (1775-1851) Mortlake Terrace 1827 Oil on canvas, 92.1 x 122.2 cm National Gallery of Art, Washington This painting, one of two views of Mortlake Terrace painted by Turner, is a view from the house, looking directly…
Manet, Édouard (1832-1883) La pêche (Fishing) c.1862–1863 Oil on canvas, 76.8 x 123.2 cm Metropolitan Museum of Art, New York Patterned after elements in landscapes by Peter Paul Rubens, the present painting gives currency to Delacroix‘s recommendation to Manet: “Look…
Manet, Édouard (1832-1883) Les funérailles (The Funeral) c.1867 Oil on canvas, 72.7 x 90.5 cm Metropolitan Museum of Art, New York Manet’s unfinished painting is thought to depict the funeral of the writer Charles Baudelaire, which took place on September…
Manet, Édouard (1832-1883) Aux courses (At the Races) c.1875 Oil on wood, 12.6 x 21.9 cm National Gallery of Art, Washington We find ourselves on an emerald-green, grassy racetrack as a dusty cluster of horses and their jockeys bear directly…