Bellotto, Bernardo (1721–1780) Nymphenburg Palace, Munich c.1761 Oil on canvas, 68.4 x 119.8 cm National Gallery of Art, Washington See also: • Nymphenburg Palace (Munich)
Bellotto, Bernardo (1721–1780) La fortezza di Königstein, cortile col Magdalenenburg (The Fortress of Königstein: Courtyard with the Magdalenenburg) 1756–1758 Oil on canvas, 48.3 x 78.7 cm National Gallery of Art, Washington See also: • Königstein Fortress (Germany)
Bellotto, Bernardo (1721–1780) La fortezza di Königstein (The Fortress of Königstein) 1756–1758 Oil on canvas, 133 x 235.7 cm National Gallery of Art, Washington In the distance, a fortress sits on a rocky plateau below a sky filled with lightly…
Bellotto, Bernardo (1721–1780) Campo di SS Giovanni e Paolo, Venezia (The Campo di SS. Giovanni e Paolo, Venice) 1743–1747 Oil on canvas, 70.8 x 111 cm National Gallery of Art, Washington See also: • Campo Santi Giovanni e Paolo (Venezia)
Allori, Alessandro (1535-1607) Cristo nella casa di Marta e Maria (Christ in the House of Martha and Mary) 1605 Oil on poplar, 125 x 118 cm Kunsthistorisches Museum, Vienna Inscribed on the stone at the right side of the well:…
Allori, Alessandro (1535-1607) Venere e Cupido (Venus and Cupid) c.1575–1580 Oil on wood, 143 x 226.50 cm Musée Fabre, Montpellier The Mannerist painter Allori designed a complex representation of Venus which owes much to the powerful figures of Michelangelo. The…
Bronzino (1503-1572) Allegoria del trionfo di Venere (An Allegory with Venus and Cupid) c.1545 Oil on wood, 146.1 x 116.2 cm National Gallery, London This is one of Bronzino’s most complex and enigmatic paintings. It contains a tangle of moral…