Corot, Jean-Baptiste-Camille (1796-1875) Rome, Monte Pincio, la Trinité-des-Monts 1826–1828 Oil on canvas Private collection See also: • Pincio | Roma (Italia) | Trinità dei Monti
Corot, Jean-Baptiste-Camille (1796-1875) Monte Pincio, Rome 1840–1850 Oil on canvas, 27 x 40.6 cm Art Institute of Chicago, Chicago See also: • Pincio | Roma (Italia) | Trinità dei Monti
Corot, Jean-Baptiste-Camille (1796-1875) Femme lisant (A Woman Reading) 1869–1870 Oil on canvas, 54.3 × 37.5 cm Metropolitan Museum of Art, New York When the seventy-two-year-old Corot showed A Woman Reading at the Salon of 1869, the critic Théophile Gautier praised…
Corot, Jean-Baptiste-Camille (1796-1875) Orphée ramenant Eurydice des enfers (Orpheus Leading Eurydice from the Underworld) 1861 Oil on canvas, 112.7 x 137.2 cm Museum of Fine Arts, Houston
Monet, Claude (1840-1926) Champs de coquelicots près d’Argenteuil (Poppy Fields near Argenteuil) 1875 Oil on canvas, 54 x 73.7 cm Metropolitan Museum of Art, New York This work is one of four similar views of the plain of Gennevilliers, just…
Monet, Claude (1840-1926) La Seine à Lavacourt (The Seine at Lavacourt) 1880 Oil on canvas, 98.425 x 149.225 cm Dallas Museum of Art, Dallas See also: • Lavacourt (France)
Monet, Claude (1840-1926) L’étang à Montgeron (Pond at Montgeron) c.1876 Oil on canvas, 173 x 194 cm Hermitage Museum, Saint Petersburg This is one of four decorative panels commissioned by the financier Ernest Hoschedé, amongst the first patrons of the…
Monet, Claude (1840-1926) Pont de Waterloo, effet de brouillard (Waterloo Bridge. Effect of Fog) 1903 Oil on canvas, 65.3 x 101 cm Hermitage Museum, Saint Petersburg This is just one of a series of famous views of London created by…
Monet, Claude (1840-1926) Le pont à Argenteuil un jour gris (Bridge at Argenteuil on a Gray Day) c.1876 Oil on canvas, 61 x 80.3 cm National Gallery of Art, Washington We look across a glimmering river toward docks, about a…
Monet, Claude (1840-1926) Le pont à Argenteuil (The Bridge at Argenteuil) 1874 Oil on canvas, 60 x 79.7 cm National Gallery of Art, Washington From a distance of ten feet or so, Monet‘s brushstrokes blend to yield a convincing view…