Tag: figure

Monte Pincio, Rome (1840-1850)

Corot, Jean-Baptiste-Camille (1796-1875) Monte Pincio, Rome 1840–1850 Oil on canvas, 27 x 40.6 cm Art Institute of Chicago, Chicago See also: • Pincio | Roma (Italia) | Trinità dei Monti

Femme lisant (1869-1870)

Corot, Jean-Baptiste-Camille (1796-1875) Femme lisant (A Woman Reading) 1869–1870 Oil on canvas, 54.3 × 37.5 cm Metropolitan Museum of Art, New York When the seventy-two-year-old Corot showed A Woman Reading at the Salon of 1869, the critic Théophile Gautier praised…

Champs de coquelicots près d’Argenteuil (1875)

Monet, Claude (1840-1926) Champs de coquelicots près d’Argenteuil (Poppy Fields near Argenteuil) 1875 Oil on canvas, 54 x 73.7 cm Metropolitan Museum of Art, New York This work is one of four similar views of the plain of Gennevilliers, just…

La Seine à Lavacourt (1880)

Monet, Claude (1840-1926) La Seine à Lavacourt (The Seine at Lavacourt) 1880 Oil on canvas, 98.425 x 149.225 cm Dallas Museum of Art, Dallas See also: • Lavacourt (France)

L’étang à Montgeron (c.1876)

Monet, Claude (1840-1926) L’étang à Montgeron (Pond at Montgeron) c.1876 Oil on canvas, 173 x 194 cm Hermitage Museum, Saint Petersburg This is one of four decorative panels commissioned by the financier Ernest Hoschedé, amongst the first patrons of the…

Pont de Waterloo, effet de brouillard (1903)

Monet, Claude (1840-1926) Pont de Waterloo, effet de brouillard (Waterloo Bridge. Effect of Fog) 1903 Oil on canvas, 65.3 x 101 cm Hermitage Museum, Saint Petersburg This is just one of a series of famous views of London created by…

Le pont à Argenteuil un jour gris (c.1876)

Monet, Claude (1840-1926) Le pont à Argenteuil un jour gris (Bridge at Argenteuil on a Gray Day) c.1876 Oil on canvas, 61 x 80.3 cm National Gallery of Art, Washington We look across a glimmering river toward docks, about a…

Le pont à Argenteuil (1874)

Monet, Claude (1840-1926) Le pont à Argenteuil (The Bridge at Argenteuil) 1874 Oil on canvas, 60 x 79.7 cm National Gallery of Art, Washington From a distance of ten feet or so, Monet‘s brushstrokes blend to yield a convincing view…