Tag: figure

Baie de Naples au matin (1881)

Renoir, Pierre-Auguste (1841-1919) Baie de Naples au matin (The Bay of Naples) 1881 Oil on canvas, 59.7 x 81.3 cm Metropolitan Museum of Art, New York The corner of the balcony visible at lower left in this composition indicates Renoir’s…

The Resurrection (1635-1639)

Rembrandt (1606-1669) The Resurrection c.1635–1639 Oil on canvas, transferred to oak wood, 91.9 x 67 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The…

The Ascension of Christ (1636)

Rembrandt (1606-1669) The Ascension of Christ 1636 Oil on canvas, 92.7 x 68.3 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The six paintings…

The Entombment (1635-1639)

Rembrandt (1606-1669) The Entombment c.1635–1639 Oil on canvas, 92.5 x 68.9 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The six paintings however do…

The Raising of the Cross (c.1633)

Rembrandt (1606-1669) The Raising of the Cross c.1633 Oil on canvas, 96.2 x 72.2 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The six…

The Adoration of the Shepherds (1646)

Rembrandt (1606-1669) The Adoration of the Shepherds 1646 Oil on canvas, 97 x 71.3 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The…

The Woman taken in Adultery (1644)

Rembrandt (1606-1669) The Woman taken in Adultery 1644 Oil on oak, 83.8 x 65.4 cm National Gallery, London A woman kneels and weeps. Darkness like a great cavern surrounds her. A shaft of light picks her out on the stone…

The Lamentation over the Dead Christ (c.1635)

Rembrandt (1606-1669) The Lamentation over the Dead Christ c.1635 Oil on paper and pieces of canvas, mounted onto oak, 31.9 x 26.7 cm National Gallery, London Christ’s body has just been taken down from the Cross, and his family and…

Ecce Homo (1634)

Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…