Whistler, James Abbott McNeill (1834-1903) Grey and Silver: Chelsea Wharf c.1864–1868 Oil on canvas, 61 x 46 cm National Gallery of Art, Washington See also: • Chelsea (London)
Grey and Silver: Chelsea Wharf (1864-1868)
Tag: figure
Wapping (1860-1864)
Whistler, James Abbott McNeill (1834-1903) Wapping 1860–1864 Oil on canvas, 72 x 101.8 cm National Gallery of Art, Washington We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a…
The Lime Burner (1859)
Whistler, James Abbott McNeill (1834-1903) The Lime Burner 1859 Etching and drypoint on laid paper, 25.4 x 17.8 cm Victoria and Albert Museum, London During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the…
The Scream (1910)
Munch, Edvard (1863-1944) The Scream (Der Schrei) probably 1910 Tempera and oil on cardboard, 83.5 × 66 cm Munch Museum, Oslo 5 things you should know about The Scream Written by: Ute Kuhleman Falck, curator at MUNCH It is one of the…
The Scream (1893)
Munch, Edvard (1863-1944) The Scream (Der Schrei) 1893 Oil, tempera and pastel on cardboard, 91 x 73.5 cm Nationalgalleriet, Oslo Painted in 1893, Munch’s iconic Scream was donated to the National Gallery in 1910. In terms of its fame, this painting now rivals…
La fragua de Vulcano (1630)
Velázquez, Diego (1599-1660) La fragua de Vulcano (The Forge of Vulcan) 1630 Oil on canvas, 223 x 290 cm Museo del Prado, Madrid A figure suddenly appears on the left in a forge where various blacksmiths are working, dressed in…
Los borrachos (1628-1629)
Velázquez, Diego (1599-1660) Los borrachos, o El triunfo de Baco (The Drunkards, or The Triumph of Bacchus) 1628–1629 Oil on canvas, 165 x 225 cm Museo del Prado, Madrid Documentation of payment received by Velázquez in July 1629 for an…
Amor sacro e amor profano (1515-1516)
Tiziano (c.1488-1576) Amor sacro e amor profano (Sacred and Profane Love) 1515–1516 Oil on canvas, 118 x 278 cm Galleria Borghese, Roma This work was probably sold to Scipione Borghese in 1608 by Cardinal Paolo Emilio Sfondrati. A veritable interpretative enigma, critics…
Venere di Urbino (1538)
Tiziano (c.1488-1576) Venere di Urbino (Venus of Urbino) 1538 Oil on canvas, 119 x 165 cm Galleria degli Uffizi, Firenze This is one of Titian’s most famous works and it depicts the emblematic figure of a young bride about to be dressed…
L’Atelier du peintre (1854-1855)
Courbet, Gustave (1819-1877) L’Atelier du peintre (The Painter’s Studio) 1854–1855 Oil on canvas, 361 x 598 cm Musée d’Orsay, Paris The enormous Studio is without doubt Courbet‘s most mysterious composition. However, he provides several clues to its interpretation: “It’s the whole world…