Tag: finger

Vergine delle rocce (c.1508)

Leonardo da Vinci (1452-1519) Vergine delle rocce (Virgin of the Rocks) c.1491–1499 and 1506–1508 Oil on poplar, thinned and cradled, 189.5 x 120 cm National Gallery, London Full title: The Virgin with the Infant Saint John the Baptist adoring the Christ Child…

Ritratto di musico (c.1485)

Leonardo da Vinci (1452-1519) Ritratto di Musico (Portrait of a Musician) c.1485 Tempera and oil on panel, 44.7 x 32 cm Pinacoteca Ambrosiana, Milano The only painting on panel by Leonardo to have remained in Milan, this portrait was traditionally thought to…

Madonna Litta (mid-1490s)

Leonardo da Vinci (1452-1519) Madonna Litta mid 1490s Tempera on canvas (handed over from panel), 42 x 33 cm Hermitage Museum, St Petersburg This painting would seem to have been produced in Milan, where the artist moved in 1482. It was one…

San Matteo e l’angelo (1602)

Caravaggio (1571-1610) San Matteo e l’angelo (St Matthew and the Angel) 1602 destroyed in 1945 Oil on canvas, 232 x 183 cm Bode Museum, Berlin (former Kaiser Friedrich Museum)

Salomè con la testa del Battista (c.1609-1610)

Caravaggio (1571-1610) Salomè con la testa del Battista (Salome receives the Head of John the Baptist) c.1609–1610 Oil on canvas, 91.5 x 106.7 cm National Gallery, London The story of the death of Saint John the Baptist is related in the Gospel…

Fillide Melandroni (c.1597)

Caravaggio (1571-1610) Fillide Melandroni (Portrait of a Courtesan) c.1597, destroyed in 1945 Oil on canvas, 66.8 x 53 cm Bode Museum, Berlin (former Kaiser Friedrich Museum) See also: • Fillide Melandroni

Marta e Maria Maddalena (c. 1598)

Caravaggio (1571-1610) Marta e Maria Maddalena (Martha and Mary Magdalene) c.1598 Oil and tempera on canvas, 100 x 134.5 cm Detroit Institute of Arts, Detroit See also: • Melandroni, Fillide (1581-1618)

Santa Caterina d’Alessandria (c.1598-1599)

Caravaggio (1571-1610) Santa Caterina d’Alessandria (Saint Catherine of Alexandria) c.1598–1599 Oil on canvas, 173 x 133 cm Museo Thyssen-Bornemisza, Madrid   This painting was almost certainly commissioned in Rome by Caravaggio’s first patron, Cardinal Francesco Maria del Monte. Captured in a strikingly…