Correggio (c.1489-1534) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) 1510–1514 Oil on panel, 136.2 × 123.2 cm Detroit Institute of Arts, Detroit Compare: Correggio (c.1489-1534) Matrimonio mistico di santa Caterina 1510–1515 National Gallery of Art, Washington Correggio (c.1489-1534) Matrimonio…
Correggio (c.1489-1534) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) 1510–1515 Oil on panel, 27.7 x 21.4 cm, 0.5 cm National Gallery of Art, Washington Three women, two men, and a baby sit on or stand near a…
Correggio (c.1489-1534) Salvator Mundi c.1515 Oil on panel, 42.6 x 33.3 cm National Gallery of Art, Washington
Millet, Jean-François (1814-1875) Leconte de Lisle c.1840–1841 Oil on canvas, 117 x 81 cm National Gallery of Art, Washington See also: • Leconte de Lisle, Charles (1818-1894)
Millais, John Everett (1829-1896) The Return of the Dove to the Ark 1851 Oil on canvas, 88.2 x 54.9 cm Ashmolean Museum, Oxford
Rossetti, Dante Gabriel (1828-1882) Beata Beatrix c.1864–1870 Oil on canvas, 86.4 x 66 cm Tate Britain, London Compare: Rossetti, Dante Gabriel (1828-1882) Beata Beatrix 1871–1872 Art Institute of Chicago, Chicago See also: • Alighieri, Dante (1265-1321) | Portinari, Beatrice (c.1266-1290) | Siddal, Elizabeth (1829-1862)
Rossetti, Dante Gabriel (1828-1882) Christina Rossetti 1866 Colored chalk on blue-gray paper, 79 x 63.5 cm Private collection See also: • Rossetti, Christina (1830-1894)
Rossetti, Dante Gabriel (1828-1882) The Holy Grail (The Damsel of the Sanct Grael) 1874 Oil on canvas, 92 x 57.7 cm Private collection See also: • Cornforth, Fanny (1835-1909)
Rossetti, Dante Gabriel (1828-1882) Fair Rosamund 1861 Oil on canvas, 51.9 x 41.7 cm National Museum Wales, Cardiff Fair Rosamund (d.c.1176) was the mistress of Henry II. She appears here behind a balustrade in the royal manor of Woodstock. The red…
Rossetti, Dante Gabriel (1828-1882) Lady Lilith 1867 Watercolor and gouache, 51.3 x 44 cm Metropolitan Museum of Art, New York Fascinated by women’s physical allure, Rossetti here imagines a legendary femme fatale as a self-absorbed nineteenth-century beauty who combs her hair…