Verrocchio, Andrea del (1435-1488)
Putto in equilibrio su un globo (Putto Poised on a Globe)
c.1480
Unbaked clay, 75 x 38.3 x 23 cm
National Gallery of Art, Washington
Poised tiptoe on a globe, this chubby cherub seems to pirouette, inviting interest from all angles. His complex movement in space is remarkable for a date so early in the Renaissance. Also remarkable is that his projecting limbs have survived for more than five hundred years. This cupid is indeed a rarity—a model in unfired clay. It is possible that Putto Poised on a Globe served as a model for a bronze fountain figure. Verrocchio made a similar cupid fountain for Florence‘s Medici family. The National Gallery‘s boy has puffed out cheeks, pursed lips, and an outstretched arm, suggesting he may have directed a stream of water to a toy pinwheel or similar object. It is also possible that the entire piece rotated; a contemporary of Verrocchio‘s described a fountain in which the artist used water to spin a statue. Verrocchio was Florence‘s leading sculptor in the second half of the fifteenth century. Versatile and inventive, he was also a painter and goldsmith. (NGA)