Tag: navel

Le Bain de Vénus (1751)

Boucher, François (1703-1770) Le Bain de Vénus (The Bath of Venus) 1751 Oil on canvas, 107 x 84.8 cm National Gallery of Art, Washington In Enlightenment France the dedicated search to define truth engendered a re–evaluation of the natural. The belief that…

Madonna col Bambino (1480-1485)

Bellini, Giovanni (c.1430-1516) Madonna col Bambino (Madonna and Child, Wittgenstein Madonna) 1480–1485 Oil on wood, 109 x 85 cm Louvre, Abu Dhabi Probably dating from the early 1480s, this work is very representative of the early Venetian Renaissance and the art of…

La nymphe de Fontainebleau (1542-1543)

Cellini, Benvenuto (1500-1571) La nymphe de Fontainebleau (The Nymph of Fontainebleau) 1542–1543 Bronze, 205 x 409 cm Musée du Louvre, Paris Commissioned by François I and executed in 1542–1543, in the workshop of the Hôtel de Nesle in Paris, with the assistance…

Perseo con la testa di Medusa (1545-1554)

Cellini, Benvenuto (1500-1571) Perseo con la testa di Medusa (Perseus with the Head of Medusa) 1545–1554 Bronze, h. 519 cm Piazza della Signoria, Firenze Compare: Canova, Antonio (1757-1822) Perseo con la testa della Medusa 1804–1806 Metropolitan Museum of Art, New York  …

Cristo in pietà sorretto da due angeli (1495-1500)

Mantegna, Andrea (c.1431-1506) Cristo in pietà sorretto da due angeli (Christ as the Suffering Redeemer supported by two angels) 1495–1500 Tempera on panel, 78 x 48 cm Statens Museum for Kunst, Copenhagen The Gospel according to St. Luke begins its account of…

Crouching human couple (1918)

Schiele, Egon (1890-1918) Crouching human couple / The Family (Kauerndes Menschenpaar / Die Familie) 1918 Oil on canvas, 150 × 160.8 cm Österreichische Galerie Belvedere, Vienna A man and a woman, both naked, crouch in the darkness of a room. A child…

La Toilette de la mariée (1940)

Ernst, Max (1891-1976) La Toilette de la mariée (Attirement of the Bride) 1940 Oil on canvas, 129.6 x 96.3 cm Guggenheim Museum, New York © 2023 Artists Rights Society (ARS), New York/ADAGP, Paris Attirement of the Bride is an example of Max Ernst’s veristic…

The Antipope (1941-1942)

Ernst, Max (1891-1976) The Antipope 1941–1942 Oil on canvas, 160.8 x 127.1 cm Guggenheim Museum, New York © 2023 Artists Rights Society (ARS), New York/ADAGP, Paris Max Ernst settled in New York in 1941 after escaping from Europe with the help of…

Déjeuner sur l’herbe, d’après Manet, II (1962)

Picasso, Pablo (1881-1973) Déjeuner sur l’herbe, d’après Manet, II (Lunch on the Grass, after Manet, II) 1962 Colour linocut, 53 x 64 cm Museum Boijmans Van Beuningen, Rotterdam Compare: Manet, Édouard (1832-1883) Le déjeuner sur l’herbe 1863 Musée d’Orsay, Paris     Ernst, Max (1891-1976)…