Carracci, Annibale (1560-1609) Ragazzo che beve (Boy Drinking) 1582–1583 Oil on canvas, 55.8 x 43.7 cm Cleveland Museum of Art, Cleveland Together with his brother Agostino and cousin Lodovico, Annibale Carracci introduced artistic reforms in Italy based on close observation of…
Carracci, Annibale (1560-1609) San Giovanni Battista rende testimonianza (Saint John the Baptist Bearing Witness) c.1600 Oil on copper, 54.3 x 43.5 cm Metropolitan Museum of Art, New York Annibale launched the vogue for landscapes in which nature is transformed by the…
Carracci, Annibale (1560-1609) L’estasi di Maria Maddalena (The Ecstasy of Mary Magdalene) 1585–1600 Oil on panel, 37.5 x 29.5 cm Museo del Prado, Madrid According to the Golden Legend, after the death of Christ his follower Mary Magdalene moved to the…
Carracci, Annibale (1560-1609) Apoteosi dell’apostolo Giacomo (The Apotheosis of the Apostle James) 1604–1605 Fresco transferred to canvas, 151.3 × 103.5 cm Museo del Prado, Madrid The paintings in the chapel paid for by the Spanish banker Juan Enríquez de Herrera in the…
Holbein, Hans the Younger (c.1497-1543) Portrait of a young merchant 1541 Oil on oak, 46.5 × 34.8 cm Kunsthistorisches Museum, Vienna Holbein created a new style of portraiture that is characterized by monumentality paired with extreme painterly precision. The young businessman…
Holbein, Hans the Younger (c.1497-1543) Jane Seymour c.1536–1537 Oil on oak, 65.5 × 47 cm Kunsthistorisches Museum, Vienna Holbein became court painter to Henry VIII of England in 1536. Among the first of his paintings in the service of the King was…
Rembrandt (1606-1669) Large Self-Portrait 1652 Oil on canvas, 112 × 81.5 cm Kunsthistorisches Museum, Vienna The self-portrait is of particular importance in Rembrandt‘s work. In total, the artist created over sixty painted self-portraits, which document not only his personal circumstances but…
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Rubens, Peter Paul (1577-1640) Self-portrait c.1638 Oil on canvas, 110 × 85.5 × 2.4 cm Kunsthistorisches Museum, Vienna Inscription: P.P. RUBINS (!) added later on the left of the column Despite his great successes, Rubens was always ambivalent about court life.…
Guercino (1591-1666) Ritorno del figliol prodigo (Homecoming of the Prodigal Son) 1619 Oil on canvas, 107 × 143.5 cm Kunsthistorisches Museum, Vienna Compare: Guercino (1591-1666) Il ritorno del figliol prodigo 1654–1655 Timken Museum of Art, San Diego