David, Jacques-Louis (1748-1825) Marat Assassiné (Marat Assassinated) 1793 Oil on canvas, 165 x 128 cm Musées Royaux des Beaux-Arts de Belgique, Brussels See also: • Marat, Jean-Paul (1743-1793)
Carracci, Annibale (1560-1609) Sposalizio mistico di Santa Caterina (The Mystical Marriage of St. Catherine) c.1585 Oil on canvas, 160 x 128 cm Museo di Capodimonte, Napoli
Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) c.1596–1597 Oil on canvas, 76.5 x 63.5 cm Museum of Fine Arts, Budapest Compare: Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo 1594–1595 Pinacoteca di Brera, Milano …
Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) 1594–1595 Oil on canvas, 170 × 225 cm Pinacoteca di Brera, Milano Francesco Sampieri, a resident of Bologna who had fallen on hard times, sold the family picture…
Carracci, Annibale (1560-1609) Agonia nell’orto (The Agony in the Garden) c.1596–1597 Oil on panel, 39.1 x 30.3 cm Royal Collection, Windsor Castle Against a dark background the figure of Christ kneels, his head turned right towards the figure of an angel in…
Carracci, Annibale (1560-1609) Madonna del Silenzio (Madonna and Sleeping Child with the Infant St John the Baptist) c.1599–1600 Oil on canvas, 51.2 x 68.4 cm Royal Collection, Hampton Court Palace, London
Carracci, Annibale (1560-1609) Domine, quo vadis? (Christ appearing to Saint Peter on the Appian Way) 1601–1602 Oil on wood, 77.4 x 56.3 cm National Gallery, London Saint Peter fled Rome after Christ’s crucifixion, scared that he too would be executed by…
Carracci, Annibale (1560-1609) Giovane Satiro che raccoglie l’uva (Young Satyr gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London A naked young satyr, just like a little boy but with pointed ears and a curly tail,…
Carracci, Annibale (1560-1609) Pietà con le tre Marie (The Dead Christ Mourned, The Three Maries) c.1604 Oil on canvas, 92.8 x 103.2 cm National Gallery, London This is perhaps the most poignant image in the National Gallery’s collection of the pietà…