Van Dyck, Anthony (1599-1641) Charity c.1627–1628 Oil on oak, 148.2 x 107.5 cm National Gallery, London In his first letter to the Corinthians, Saint Paul outlines the importance of faith, hope and charity, naming charity as the greatest of the three.…
Van Dyck, Anthony (1599-1641) Christ on the Cross 1628–1630 Oil on canvas, 133 x 101 cm Kunsthistorisches Museum, Vienna Compare: Van Dyck, Anthony (1599-1641) Christ on the Cross 1627 Museo Thyssen-Bornemisza, Madrid
Van Dyck, Anthony (1599-1641) Apostle Judas Thaddeus 1619–1621 Oil on oak, 61.4 × 49.7 × 2 cm Kunsthistorisches Museum, Vienna The so-called Böhler series of 13 busts depicting Christ and the 12 apostles (only two of them in the KHM) dates…
Van Dyck, Anthony (1599-1641) Saint Rosalie Interceding for the Plague-stricken of Palermo 1624 Oil on canvas, 99.7 x 73.7 cm Metropolitan Museum of Art, New York Van Dyck was in Palermo, Sicily, when a plague broke out and the city was quarantined.…
Van Dyck, Anthony (1599-1641) Virgin and Child with Saint Catherine of Alexandria c.1630 Oil on canvas, 109.2 x 90.8 cm Metropolitan Museum of Art, New York The infant Jesus responds with playful enthusiasm to an adoring Saint Catherine, a princess identified by…
Van Dyck, Anthony (1599-1641) Self-Portrait c.1620–1621 Oil on canvas, 119.7 x 87.9 cm Metropolitan Museum of Art, New York Lifting a languid hand to his chin, the young Van Dyck presents himself as an aristocrat, excluding any signs of his trade…
(1599–1641) Antoon van Dyck Anthonie Vandyke The artist’s works: Portrait of a Married Couple c.1617–1618 Museum of Fine Arts, Budapest Betrayal of Christ c.1618–1620 Minneapolis Institute of Arts, Minneapolis Mucius Scaevola before Lars Porsenna c.1618–1620 Museum of Fine Arts, Budapest The Betrayal of…
Rubens, Peter Paul (1577-1640) Lamentation over the Dead Christ 1601–1602 Oil on canvas, 180 x 136 cm Galleria Borghese, Roma While in the past this Lamentation over the Dead Christ was ascribed to Antoon Van Dyck, today critics agree that it…
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Rubens, Peter Paul (1577-1640) Self-portrait c.1638 Oil on canvas, 110 × 85.5 × 2.4 cm Kunsthistorisches Museum, Vienna Inscription: P.P. RUBINS (!) added later on the left of the column Despite his great successes, Rubens was always ambivalent about court life.…