Monet, Claude (1840-1926) Intérieur après dîner (Interior, after Dinner) 1868–1869 Oil on canvas, 50.2 x 65.4 cm National Gallery of Art, Washington In a darkened room, two women sit at a round table near a man who stands leaning against…
Botticelli, Sandro (c.1445-1510) Annunciazione di Cestello (Cestello Annunciation) 1489–1490 Tempera on wood, 150 x 156 cm Galleria degli Uffizi, Firenze Inscriptions: SPIRITUS SANCTUS SUPERVENIET IN TE ET VIRTUS ALTISSIMI OBUMBRABIT TIBI (Luca 1, 35) ECCE ANCILLA DOMINI FIAT MICHI SECUNDUM VERBUM TUUM…
Antonello da Messina (c.1430-1479) San Gerolamo nello studio (Saint Jerome in his Study) c.1475 Oil on lime, 45.7 x 36.2 cm National Gallery, London Born in the fourth century, Saint Jerome was a scholar and a monk. His translation of the…
Antonello da Messina (c.1430-1479) San Sebastiano (St. Sebastian) c.1478 Oil on canvas transferred from wood, 171 x 85.5 cm Gemäldegalerie Alte Meister, Dresden Antonello da Messina set the martyrdom of St. Sebastian in Venice, as can be seen from the waterways…
Chagall, Marc (1887-1985) Autoportrait aux sept doigts (Self-Portrait with Seven Fingers) 1912–1913 Oil on canvas, 135.5 x 117 x 6 cm Stedelijk Museum, Amsterdam Marc Chagall‘s Self-Portrait with Seven Fingers is not a naturalistic image, yet it describes a great deal…
Degas, Edgar (1834-1917) La classe de danse (The Dance Class) 1873–1876 Oil on canvas, 85.5 x 75 cm Musée d’Orsay, Paris Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor…
Raffaello (1483-1520) L’annunciazione (The Annunciation) 1502–1504 Tempera grassa on wood transferred to canvas, 39 x 190 cm Pinacoteca Vaticana, Vaticano This painting is the left part of the predella of the Oddi Altarpiece. The Crowning of the Virgin was painted for the altar…
Magritte, René (1898-1967) La condition humaine (The Human Condition) 1935 Oil on canvas, 100 x 81 cm Private collection
Magritte, René (1898-1967) La condition humaine (The Human Condition) 1933 Oil on canvas, 100 x 81 x 1.6 cm National Gallery of Art, Washington Two of Magritte‘s favored themes were the “window painting” and the “painting within a painting.” The Human Condition…
Degas, Edgar (1834-1917) Un Bureau de coton à La Nouvelle-Orléans (A Cotton Office in New Orleans) 1873 Oil on canvas, 73 x 92 cm Musée des Beaux-Arts, Pau See also: • New Orleans, LA (USA)