Tag: foliage

Matrimonio mistico di santa Caterina (c.1526-1527)

Correggio (c.1489-1534) Matrimonio mistico di santa Caterina alla presenza di san Sebastiano (The Mystic Marriage of Saint Catherine in the presence of Saint Sebastian; in the landscape, martyrs of two saints) c.1526–1527 Oil on wood, 105 × 102 cm Musée du…

Matrimonio mistico di santa Caterina (1510-1514)

Correggio (c.1489-1534) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) 1510–1514 Oil on panel, 136.2 × 123.2 cm Detroit Institute of Arts, Detroit Compare: Correggio (c.1489-1534) Matrimonio mistico di santa Caterina 1510–1515 National Gallery of Art, Washington     Correggio (c.1489-1534) Matrimonio…

Matrimonio mistico di santa Caterina (c.1520)

Correggio (c.1489-1534) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) c.1520 Oil on panel, 28.5 x 23.5 cm Museo di Capodimonte, Napoli Compare: Correggio (c.1489-1534) Matrimonio mistico di santa Caterina 1510–1514 Detroit Institute of Arts, Detroit     Correggio (c.1489-1534) Matrimonio mistico…

La Maison natale de Millet à Gruchy (c.1863)

Millet, Jean-François (1814-1875) La Maison natale de Millet à Gruchy (Millet’s Birthplace at Gruchy) c.1863 Pastel over crayon on paper, 31.2 x 45.5 cm Museum of Fine Arts, Boston See also: • Gruchy, Gréville-Hague (France)

Le Repos de Diane (c.1845)

Millet, Jean-François (1814-1875) Le Repos de Diane (Diana Resting) c.1845 Oil on canvas, 40.64 x 33.02 cm Los Angeles County Museum of Art, Los Angeles

First Steps, after Millet (1890)

Van Gogh, Vincent (1853-1890) First Steps, after Millet 1890 Oil on canvas, 72.4 x 91.1 cm Metropolitan Museum of Art, New York In fall and winter 1889–90, while a voluntary patient at the asylum in Saint-Rémy, Van Gogh painted twenty-one copies after…

Les Premiers pas (c.1859-1866)

Millet, Jean-François (1814-1875) Les Premiers pas (First Steps) c.1859–1866 Black chalk and pastel on wove paper, 29.5 x 45.9 cm Cleveland Museum of Art, Cleveland At the time this drawing was made, many critics disparaged Millet‘s depictions of peasants as politically…