Carracci, Annibale (1560-1609) La sepoltura di Cristo (The Burial of Christ) 1595 Oil on copper, 43.8 x 34.9 cm Metropolitan Museum of Art, New York This deeply moving picture was painted for one of Carracci’s patrons, Astorre di Vincenzo Sampieri, a…
Carracci, Annibale (1560-1609) Incoronazione della Vergine (The Coronation of the Virgin) after 1595 Oil on canvas, 117.8 x 141.3 cm Metropolitan Museum of Art, New York This majestic picture—a window onto heaven—was painted for Cardinal Pietro Aldobrandini (1571–1621) following the artist’s…
Carracci, Annibale (1560-1609) San Giovanni Battista rende testimonianza (Saint John the Baptist Bearing Witness) c.1600 Oil on copper, 54.3 x 43.5 cm Metropolitan Museum of Art, New York Annibale launched the vogue for landscapes in which nature is transformed by the…
Carracci, Annibale (1560-1609) Assunzione della Vergine (The Assumption of the Virgin) 1588–1590 Oil on canvas, 130 × 97 cm Museo del Prado, Madrid Annibale Carracci’s Assumption of the Virgin now in the Museo del Prado is first mentioned in the so-called…
Carracci, Annibale (1560-1609) Apoteosi dell’apostolo Giacomo (The Apotheosis of the Apostle James) 1604–1605 Fresco transferred to canvas, 151.3 × 103.5 cm Museo del Prado, Madrid The paintings in the chapel paid for by the Spanish banker Juan Enríquez de Herrera in the…
Carracci, Annibale (1560-1609) Apoteosi di San Lorenzo (The Apotheosis of Saint Lawrence) 1604–1605 Fresco transferred to canvas, 152.5 × 104 cm Museo del Prado, Madrid Annibale Carracci painted these works without previous cartoons as part of a group for the chapel of San…
Carracci, Annibale (1560-1609) Apoteosi di San Francesco (The Apotheosis of Saint Francis) 1604–1605 Fresco transferred to canvas, 151 × 103.3 cm Museo del Prado, Madrid Annibale Carracci painted these works without previous cartoons as part of a group for the chapel…
Léger, Fernand (1881-1955) La mère et l’enfant (Mother and Child) 1951 Oil on canvas, 92.7 × 65.2 cm Menil Collection, Houston
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Mantegna, Andrea (c.1431-1506) San Sebastiano (St. Sebastian) c.1457–1459 Oil on poplar, 68 × 30 cm Kunsthistorisches Museum, Vienna Sebastian was the leader of the bodyguard of the Roman emperor Diocletian and was sentenced to death for his Christian faith. The saint…