Tag: grisaille

Madonna and Child (c.1430-1432)

Van der Weyden, Rogier (c.1399-1464) Madonna and Child c.1430–1432 or c.1451 Oil on oak panel, 18.9 x 12.1 cm Kunsthistorisches Museum, Vienna Left wing of a diptych. Right wing: Van der Weyden, Rogier (c.1399-1464) St. Catherine c.1430–1432 or c.1451 Kunsthistorisches Museum, Vienna     Mary with…

The Betrothal of the Virgin (1420-1430)

Campin, Robert (c.1378-1444) The Betrothal of the Virgin 1420–1430 Grisaille, Oil on oak panel, 77 x 88 cm Museo del Prado, Madrid Two scenes are represented in this work. On the left, in a circular, Romanesque interior covered with a dome, is…

Adoration of the Magi (c.1494)

Bosch, Hieronymus (c.1450-1516) Adoration of the Magi c.1494 Oil on oak panel, 147.4 x 168.6 cm Museo del Prado, Madrid Closed: The theme of this triptych is the advent of salvation -a message about the universality of Redemption. The Eucharistic meaning…

The Annunciation Diptych (c.1433-1435)

Van Eyck, Jan (c.1390-1441) The Annunciation Diptych c.1433–1435 Oil on panel, left wing: 38.8 x 23.2 cm; right wing: 39 x 24 cm Museo Thyssen-Bornemisza, Madrid This diptych is an outstanding example of grisaille painting. Here, van Eyck deliberately rejects the…

The Lamentation over the Dead Christ (c.1635)

Rembrandt (1606-1669) The Lamentation over the Dead Christ c.1635 Oil on paper and pieces of canvas, mounted onto oak, 31.9 x 26.7 cm National Gallery, London Christ’s body has just been taken down from the Cross, and his family and…

Ecce Homo (1634)

Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…