Guercino (1591-1666) Assunzione della Vergine (Assumption of the Virgin) 1st half of the 17th century Oil on canvas, 307 x 332 cm Hermitage Museum, Saint Petersburg
Assunzione della Vergine (1st half of the 17th century)
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Cristo e l’adultera (c.1621)
Guercino (1591-1666) Cristo e l’adultera (The Woman taken in Adultery) c.1621 Oil on canvas, 98.2 x 122.7 cm Dulwich Picture Gallery, London In the Gospel of John – in the New Testament of the Bible, according to the Christian tradition…
Santa Cecilia (1649)
Guercino (1591-1666) Santa Cecilia (Saint Cecilia) 1649 Oil on canvas, 121.6 x 100.4 cm Dulwich Picture Gallery, London Saint Cecilia was a third-century Roman martyr according to the Christian tradition. Cecilia undertook a religious vow to remain a virgin, promising…
Abramo ripudia Agar e Ismaele (1657)
Guercino (1591-1666) Abramo ripudia Agar e Ismaele (Abraham casting out Hagar and Ishmael) 1657 Oil on canvas, 115 x 154 cm Pinacoteca di Brera, Milano Guercino sets the story of Abraham, aged 100, casting out the slave Hagar and their…
Cristo risorto appare alla madre (1629)
Guercino (1591-1666) Cristo risorto appare alla madre (The Resurrected Christ Appears to the Virgin) 1629 Oil on canvas, 260 x 179.5 cm Civica Pinacoteca Il Guercino, Cento Wrapped in a metallic-colored drapery, beautiful and solemn in his gait, with the flag…
Santa Veronica mostra il velo a San Pietro (1620)
Guercino (1591-1666) Santa Veronica mostra il velo a San Pietro (Saint Veronica showing the vernicle to St Peter) 1620 Pen and brown ink on paper, 25.9 x 29.6 cm Fitzwilliam Museum, Cambridge
Madonna del cardellino (early 1630s)
Guercino (1591-1666) Madonna del cardellino (Madonna and Child with an Escaped Goldfinch) early 1630s Red chalk on paper, 26.3 x 20.3 cm National Gallery of Art, Washington
Giuseppe e la moglie di Putifar (1649)
Guercino (1591-1666) Giuseppe e la moglie di Putifar (Joseph and Potiphar’s Wife) 1649 Oil on canvas, 123.2 x 158 cm National Gallery of Art, Washington A nude woman with pale pink skin reclines under cream-white sheets in a bed as…
Amnon e Tamar (1649-1650)
Guercino (1591-1666) Amnon e Tamar (Amnon and Tamar) 1649–1650 Oil on canvas, 123 x 158.5 cm National Gallery of Art, Washington Shown from the thighs up, a light-skinned man and woman gesture dramatically, partially covered only by colorful lengths of…
Autoritratto mentre dipinge ‘Amore fedele’ (1655)
Guercino (1591-1666) Autoritratto mentre dipinge ‘Amore fedele’ (Self-Portrait before a Painting of “Amor Fedele”) 1655 Oil on canvas, 116 x 95.6 cm National Gallery of Art, Washington In this vertical portrait painting, a pale-skinned, bearded man holding a painter’s palette…