Dürer, Albrecht (1471-1528) Christ as the Man of Sorrows c.1492–1493 Oil on panel, 19 x 30 cm Staatliche Kunsthalle, Karlsruhe Bearing the marks of martyrdom and holding the instruments used to scourge him in his hands, a pensive, exhausted man crouches…
Dürer, Albrecht (1471-1528) Self-Portrait or Portrait of the Artist Holding a Thistle 1493 Parchment glued on canvas, 56.5 x 44.5 cm Musée du Louvre, Paris Dürer‘s first painted self-portrait, possibly an engagement portrait – the thistle or panicaut (eryngium), which Dürer…
Murillo, Bartolomé Esteban (1617-1682) Crucifixión (Crucifixion) c.1675 Oil on canvas, 50.8 x 33 cm Metropolitan Museum of Art, New York This oil sketch helped Murillo to prepare a large painting that is today in the Museo del Prado in Madrid. The artist’s…
Murillo, Bartolomé Esteban (1617-1682) La Anunciación (Annunciation) c.1650 Oil on canvas, 183 x 225 cm Museo del Prado, Madrid The Archangel Gabriel has descended from the heavens and kneels before Mary to announce the birth of Christ. The Angel holds some white…
Whistler, James Abbott McNeill (1834-1903) George W. Vanderbilt 1897–1903 Oil on canvas, 208.6 x 91.1 cm National Gallery of Art, Washington A close friend of Whistler, George Washington Vanderbilt II commissioned this full-length portrait in 1897 to hang in Biltmore House,…
Whistler, James Abbott McNeill (1834-1903) Gold and Brown: Self-Portrait c.1896–1898 Oil on canvas, 62.5 x 46.8 cm National Gallery of Art, Washington Known for his biting wit, extravagant style, and personal eccentricities, the publicity-conscious Whistler used self-portraiture as a means to…
Whistler, James Abbott McNeill (1834-1903) Alice Butt c.1895 Oil on canvas, 51.7 x 38.1 cm National Gallery of Art, Washington Little is known about this painting’s subject, whom Whistler identified as “a little child called ‘Alice Butt‘—charming—quite Italian in type.” Set…
Whistler, James Abbott McNeill (1834-1903) Mother of Pearl and Silver: The Andalusian c.1888 (?)-1900 Oil on canvas, 191.5 x 89.8 cm National Gallery of Art, Washington Ethel Philip, Whistler‘s sister-in-law and a favorite subject of the artist, whose likeness appears in…
Whistler, James Abbott McNeill (1834-1903) Symphony in White, No. 1: The White Girl 1861–1863, 1872 Oil on canvas, 213 x 107.9 cm National Gallery of Art, Washington When Whistler submitted The White Girl to the Paris Salon in 1863, the tradition–bound…
Whistler, James Abbott McNeill (1834-1903) At the Piano 1858–1859 Oil on canvas, 67.63 x 93.35 cm Taft Museum of Art, Cincinnati