Vermeer, Jan (1632-1675) A Young Woman Seated at a Virginal (Zittende virginaalspeelster) c.1670–1672 Oil on canvas, 51.5 x 45.5 cm National Gallery, London A colourful hanging tapestry has been swept to one side to reveal a young woman seated at a…
Vermeer, Jan (1632-1675) The Procuress (De koppelaarster) 1656 Oil on canvas, 143 x 130 cm Gemäldegalerie Alte Meister, Dresden A large part of this painting is taken up by a carpet. The clearly recognizable pattern identifies it as a carpet from…
Vermeer, Jan (1632-1675) The Concert (Het concert) 1663–1666 Oil on canvas, 72.5 x 64.7 cm Isabella Stewart Gardner Museum, Boston In a pristine domestic parlor, two women and a man concentrate on making music. The standing woman holds a sheet of…
Vermeer, Jan (1632-1675) The Astronomer (De astronoom) 1668 Oil on canvas 51 x 45 cm Musée du Louvre, Paris Celestial globe by J. Hondius (1600) and astronomy manual by Metius (1621) opening to the chapter devoted to the stars, with engraving…
Vermeer, Jan (1632-1675) Diana and her nymphs (Diana en haar Nimfen) c.1653–1654 Oil on canvas, 97.8 x 104.6 cm Mauritshuis, The Hague Signed lower left, on the rock, between the dog and the thistle: JVMeer VM in ligature Vermeer is best…
Vermeer, Jan (1632-1675) Mistress and Maid (Dame en dienstbode) c.1666–1667 Oil on canvas, 90.2 x 78.7 cm Frick Collection, New York Vermeer chose a large canvas for this composition, which presents two women pondering a newly arrived letter. Depicting an interior…
Vermeer, Jan (1632-1675) The Lacemaker (De kantwerkster) 1669–1670 Oil on canvas transferred to panel, 24 x 21 cm Musée du Louvre, Paris The motif of the lacemaker at work is traditionally a sign of domestic virtue, tinged with religious moralism (the…
Vermeer, Jan (1632-1675) Christ in the House of Martha and Mary (Christus in het huis van Martha en Maria) 1654–1656 Oil on canvas, 158.5 x 141.5 cm Scottish National Gallery, Edinburgh
Renoir, Pierre-Auguste (1841-1919) La promenade (The Walk) 1870 Oil on canvas, 81.3 x 64.8 cm Getty Center, Los Angeles What Pierre-Auguste Renoir himself titled this painting is unknown, but La Promenade is in part an homage to earlier artists whom he greatly…
Mantegna, Andrea (c.1431-1506) Morte della Vergine (Death of the Virgin) c.1462 Oil on wood, 54.5 x 42 cm Museo del Prado, Madrid The Virgin Mary lies on her deathbed, surrounded by eleven Apostles. Through the window, the Borgo di San Giorgio and…