Tag: hair

Incontro e partenza dei fidanzati (c.1497-1498)

Carpaccio, Vittore (c.1460-c.1526) Incontro e partenza dei fidanzati (Meeting and departure of the fiancés) c.1497–1498 Oil on canvas, 279 x 610 cm Gallerie dell’Accademia, Venezia This is the fourth of nine paintings in the cycle of the Legend of St. Ursula (Storie…

Ritorno degli ambasciatori (c.1497-1498)

Carpaccio, Vittore (c.1460-c.1526) Ritorno degli ambasciatori (The Return of the Ambassadors) c.1497–1498 Oil on canvas, 297 x 526 cm Gallerie dell’Accademia, Venezia This is the third of nine paintings in the cycle of the Legend of St. Ursula (Storie di sant’Orsola). The…

Sogno di Sant’Orsola (c.1495)

Carpaccio, Vittore (c.1460-c.1526) Sogno di Sant’Orsola (The Dream of Saint Ursula) c.1495 Oil on canvas, 273 x 567 cm Gallerie dell’Accademia, Venezia This is the fifth of nine paintings in the cycle of the Legend of St. Ursula (Storie di sant’Orsola).…

Gesù che porta la croce (c.1565)

Tiziano (c.1488-1576) Gesù che porta la croce (Carrying of the Cross) c.1565 Oil on canvas, 67 x 77 cm Museo del Prado, Madrid Renaissance painting abounds with representations of Christ bearing the cross on the road to Calvary, either as an isolated…

Ritratto di giovane donna (c.1536)

Tiziano (c.1488-1576) Ritratto di giovane donna (Portrait of a Young Woman) c.1536 Oil on canvas, 96 x 75 cm Hermitage Museum, Saint Petersburg In his portraits, Titian, one of the best portrait painters in Europe, took a radically different approach to male…

Maddalena penitente (1560s)

Tiziano (c.1488-1576) Maddalena penitente (Penitent Magdalene) 1560s Oil on canvas, 119 x 97 cm Hermitage Museum, Saint Petersburg Titian turned to the subject of the repentant Mary Magdalene on several occasions, but this version he kept for himself in his…

Venere allo specchio (c.1555)

Tiziano (c.1488-1576) Venere allo specchio (Venus with a Mirror) c.1555 Oil on canvas, 124.5 x 105.5 cm National Gallery of Art, Washington Titian’s goddess of love and beauty conjures the sense of touch. Observing her flushed cheek, one can almost feel its…