Burne-Jones, Edward (1833-1898) The Annunciation and the Adoration of the Magi 1861 Oil on 3 canvases, 133.6 x 98.4 x 8.5 cm / 133.9 x 181.9 x 8 cm / 133.3 x 98.4 x 8 cm Tate Britain, London This triptych…
Lorenzo di Credi (c.1459-1537) Madonna col Bambino (The Virgin and Child) c.1480–1485 Oil on wood, 71.1 × 49.5 cm National Gallery, London
Gentileschi, Artemisia (1593-c.1653) Autoritratto come Santa Caterina d’Alessandria (Self Portrait as Saint Catherine of Alexandria) c.1615–1617 Oil on canvas, 71.4 × 69 cm National Gallery, London
Bellini, Giovanni (c.1430-1516) Cristo morto sostenuto da due angeli (The Dead Christ supported by Two Angels) c.1465–1470 Oil on wood, 95 × 71.7 cm National Gallery, London
Angelico, Fra (c.1395-1455) Madonna col Bambino e quattro angeli (Madonna and Child with Four Аngels) early 1420s Tempera on poplar panel, 81 x 51 cm Hermitage Museum, Saint Petersburg This type of Madonna was widespread in Florence in the late 14th…
Lippi, Filippino (1457-1504) Adorazione di Gesù Bambino (Adoration of the Christ Child) c.1480 Tempera on canvas, diameter 33 cm Hermitage Museum, Saint Petersburg Filippino Lippi was the son of the artist-monk, Fra Filippo Lippi, and himself a pupil of Botticelli. This…
Zurbarán, Francisco de (1598-1664) Santa Casilda (Saint Casilda) c.1630–1635 Oil on canvas, 171 x 107 cm Museo Thyssen-Bornemisza, Madrid Images of saints depicted alone, holding their attributes and looking out of the picture space were among the most popular compositions within…
Van Dyck, Anthony (1599-1641) Christ on the Cross 1627 Oil on panel, 105.3 x 73 cm Museo Thyssen-Bornemisza, Madrid ©Carmen Thyssen Collection When he returned to Antwerp after his sojourn in Italy, Anton van Dyck painted several Crucifixions for different churches…
Tiepolo, Giambattista (1696-1770) La crocifissione (The Crucifixion) 1745–1750 Oil on canvas, 79.4 x 88.3 cm Saint Louis Art Museum, St. Louis
Bernard, Émile (1868-1941) L’Annonciation (The Annunciation) 1890 Oil on canvas, 34.9 x 47 cm Museo Thyssen-Bornemisza, Madrid ©Colección Carmen Thyssen Between 1888 and 1891, Émile Bernard together with Gauguin was the creator of Synthetism, the tendency that marked a historical turn…
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