Rembrandt (1606-1669) Large Self-Portrait 1652 Oil on canvas, 112 × 81.5 cm Kunsthistorisches Museum, Vienna The self-portrait is of particular importance in Rembrandt‘s work. In total, the artist created over sixty painted self-portraits, which document not only his personal circumstances but…
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Rubens, Peter Paul (1577-1640) Self-portrait c.1638 Oil on canvas, 110 × 85.5 × 2.4 cm Kunsthistorisches Museum, Vienna Inscription: P.P. RUBINS (!) added later on the left of the column Despite his great successes, Rubens was always ambivalent about court life.…
Guercino (1591-1666) Ritorno del figliol prodigo (Homecoming of the Prodigal Son) 1619 Oil on canvas, 107 × 143.5 cm Kunsthistorisches Museum, Vienna Compare: Guercino (1591-1666) Il ritorno del figliol prodigo 1654–1655 Timken Museum of Art, San Diego
Tintoretto, Jacopo (1518-1594) Susanna e i vecchioni (Susanna and the Elders) c.1560 Oil on canvas, 167 x 238 cm Musée du Louvre, Paris Compare: Tintoretto, Jacopo (1518-1594) Susanna e i Vecchioni 1552–1555 Museo del Prado, Madrid Tintoretto, Jacopo (1518-1594) Susanna e i vecchioni…
Tiziano (c.1488-1576) Bravo (The Bravo) c.1515–1520 Oil on canvas, 77 × 66.5 cm Kunsthistorisches Museum, Vienna Titian intensifies the close-up half-figure action picture developed by his teacher Giorgione into concentrated drama. The three-quarter portrait of the vine-leafed protagonist contrasts with the…
Tiziano (c.1488-1576) Madonna delle ciliegie (Cherry Madonna) c.1516–1518 Oil transferred from canvas to wood, 81.6 × 100.2 × 1.1 cm Kunsthistorisches Museum, Vienna On the left St. Joseph, on the right St. John the Boy and St. Zacharias. Similar to the…
Tiziano (c.1488-1576) Ninfa e pastore (Nymph and shepherd) c.1570–1575 Oil on canvas, 149.6 × 187 cm Kunsthistorisches Museum, Vienna The theme on which the picture is based has not yet been satisfactorily clarified, but Titian raised it to the mythical level…
Cranach, Lucas the Elder (1472-1553) Judith with the head of Holofernes c.1530 Oil on lime, 87.7 × 58.1 × 2.4 cm Kunsthistorisches Museum, Vienna Through courage and cunning, the Old Testament heroine had succeeded in penetrating Holofernes’ tent camp, which had…
Raffaello (1483-1520) Madonna del Prato (Madonna of the meadow) 1505–1506 Oil on poplar, 113 × 88.3 × 3.5 cm Kunsthistorisches Museum, Vienna Inscription on the hem of Mary’s dress with the year M.d.V. (perhaps also M.D.V.I. to be read) The group,…