Tintoretto, Jacopo (1518-1594) Madonna delle stelle (The Madonna of the Stars) c.1575–1585 Oil on canvas, 92.7 x 72.7 cm National Gallery of Art, Washington This is one of a small group of loosely related paintings of the Madonna and Child…
Tintoretto, Jacopo (1518-1594) Salomone e la regina di Saba (Solomon and the Queen of Sheba) c.1555 Oil on canvas, 58 x 205 cm Museo del Prado, Madrid This is one of seven canvases (P00386, P00388, P00389, P00393, P00394, P00395, P00396)…
Tintoretto, Jacopo (1518-1594) Susanna e i Vecchioni (Susanna and the Elders) 1552–1555 Oil on canvas, 58 x 116 cm Museo del Prado, Madrid This canvas is part of a group of six paintings: Susannah and the Elders (P386), Esther and…
Ingres, Jean Auguste Dominique (1780-1867) La Vierge adorant l’hostie (The Virgin Adoring the Host) 1852 Oil on canvas, 40.3 x 32.7 cm Metropolitan Museum of Art, New York Repetition with variants of the Virgin painted in 1841 for the future…
Ingres, Jean Auguste Dominique (1780-1867) Tête de saint Jean l’Evangéliste (Head of Saint John the Evangelist) s.d. Oil on canvas, laid down on wood, 39.4 x 27 cm Metropolitan Museum of Art, New York This is a study for an…
Zurbarán, Francisco de (1598-1664) & Workshop San Jerónimo con Santa Paula y San Eustoquio (Saint Jerome with Saint Paula and Saint Eustochium) c.1640–1650 Oil on fabric, 245.7 x 173.5 cm National Gallery of Art, Washington
Zurbarán, Francisco de (1598-1664) Santa Lucía (Saint Lucy) c.1625–1630 Oil on canvas, 104.14 × 77 cm National Gallery of Art, Washington Few images of saints show women as gorgeously attired as Francisco de Zurbarán‘s. His Saint Lucy portrays the young…
Courbet, Gustave (1819-1877) La Femme à la vague (The Woman in the Waves) 1868 Oil on canvas, 65.4 x 54 cm Metropolitan Museum of Art, New York Between 1864 and 1868 Courbet undertook a series of paintings of the female nude.…
Courbet, Gustave (1819-1877) Femme au perroquet (Woman with a Parrot) 1866 Oil on canvas, 129.5 x 195.6 cm Metropolitan Museum of Art, New York When this painting was shown in the Salon of 1866, some critics censured Courbet‘s “lack of…