Pissarro, Camille (1830-1903) Portrait de Cézanne (Portrait of Cézanne) 1874 Oil on canvas, 73 × 59.7 cm National Gallery, London On loan from the collection of Laurence Graff OBE, © Laurence Graff OBE Pissarro‘s influence profoundly changed the direction of Cézanne‘s art…
Renoir, Pierre-Auguste (1841-1919) Au café (In the Café) c.1877 Oil on canvas, 35.7 x 27.5 cm Kröller-Müller Museum, Otterlo
Burne-Jones, Edward (1833-1898) Princess Sabra 1865 Oil on canvas, 107.2 x 61.5 cm Musée d’Orsay, Paris Inscription: S. initials D.b.g.: E.B.J. 1865-6 This work is part of a decorative set commissioned from Burne-Jones by the watercolourist Miles Birket Foster (1825-1899) and…
Alma-Tadema, Lawrence (1836-1912) Roman potter c.1884 Oil on canvas, 152 x 80 cm Musée d’Orsay, Paris Fragment of the painting “Hadrian visiting a Roman-British pottery”, painted in 1884 and cut out by the artist in 1893. The other two fragments of…
Tintoretto, Jacopo (1518-1594) Due Apostoli (Two Apostles) Late 16th century Oil on canvas, 47 x 38.7 cm Barnes Foundation, Philadelphia This painting is likely a fragment of (or perhaps a study for) a larger painting of the Last Supper. Although the…
Renoir, Pierre-Auguste (1841-1919) Femme faisant du crochet (Woman Crocheting) c.1877 Oil on canvas, 41 x 32.5 cm Barnes Foundation, Philadelphia During the 1870s, alongside his ambitious modern life subjects such as Leaving the Conservatory (BF862), Renoir painted very many canvases of single…
El Greco (1541-1614) Aparición de la Virgen y el Niño a San Jacinto (Apparition of the Virgin and Child to Saint Hyacinth) c.1605–1610 Oil on canvas, 158.4 x 98.7 cm Barnes Foundation, Philadelphia Hyacinth, a Polish Dominican priest born in 1185,…
Redon, Odilon (1840-1916) Saint Georges et le dragon (Saint George and the Dragon) c.1909–1910 Oil on paperboard, 53.3 x 67.9 cm Barnes Foundation, Philadelphia According to Christian legend, Saint George, a Roman soldier, heroically killed a dragon that was terrorizing a…
Guercino (1591-1666) Cattura di Cristo (The Betrayal of Christ) 1621 or earlier Oil on canvas, 115.3 x 142.2 cm Fitzwilliam Museum, Cambridge Companion: Guercino (1591-1666) Incredulità di san Tommaso 1621 National Gallery, London
Degas, Edgar (1834-1917) Baigneuses (Bathers) 1895–1900 Pastel with charcoal underdrawing on paper, 59.1 × 73.7 cm Barnes Foundation, Philadelphia One of the things that made Degas such a radical artist was his approach to representing the human form. Here, rather than…