Memling, Hans (c.1430-1494) The Man of Sorrows in the arms of the Virgin 1475 Oil and gold leaf on wood panel, 27.4 × 19.9 cm National Gallery of Victoria, Melbourne
The Man of Sorrows in the arms of the Virgin (1475)
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Portrait d’Erik Satie (1892-1893)
Valadon, Suzanne (1865-1938) Portrait d’Erik Satie (Portrait of Erik Satie) 1892–1893 Oil on canvas, 41 x 22 cm Musée National d’Art Moderne, Paris See also: • Satie, Erik (1866-1925)
Nadar élevant la Photographie à la hauteur de l’Art (1862)
Daumier, Honoré (1808-1879) Nadar élevant la Photographie à la hauteur de l’Art (Nadar elevating Photography to the height of Art) 1862 Lithograph on newsprint, 33.7 x 24.8 cm Brooklyn Museum, New York See also: • Nadar (1820-1910)
Napoléon entrant au Caire (c.1900)
Gérôme, Jean-Léon (1824-1904) Napoléon entrant au Caire (Napoleon Entering Cairo) c.1900 Gilt bronze, 38.1 × 43.2 cm (without base) Art Institute of Chicago, Chicago See also: • Cairo (Egypt) | Napoléon I (1769-1821)
Le fumeur accoudé (1890)
Cézanne, Paul (1839-1906) Le fumeur accoudé (The smoker leaning) 1890 Oil on canvas, 92.5 x 73.5 cm Kunsthalle Mannheim, Mannheim
L’entrée du Christ à Bruxelles (1888)
Ensor, James (1860-1949) L’entrée du Christ à Bruxelles (Christ’s Entry into Brussels in 1889) 1888 Oil on canvas, 252.6 × 431 cm Getty Center, Los Angeles James Ensor took on religion, politics, and art in this scene of Christ entering contemporary…
Squelettes voulant se chauffer (1889)
Ensor, James (1860-1949) Squelettes voulant se chauffer (Skeletons Wanting to Warm Themselves) 1889 Oil on canvas, 74.8 x 60 cm Kimbell Art Museum, Fort Worth James Ensor was one of the most original painters of the late nineteenth century. Populated with…
L’après-midi à Ostende (1881)
Ensor, James (1860-1949) L’après-midi à Ostende (Afternoon in Ostend) 1881 Oil on canvas, 111 x 134.1 x 2.5 cm Koninklijk Museum voor Schone Kunsten, Antwerp See also: • Ostend (Belgium)
Théâtre de masques (1908)
Ensor, James (1860-1949) Théâtre de masques (Theatre of Masks) 1908 Oil on canvas, 72 x 86 cm Museo Thyssen-Bornemisza, Madrid Masks, both diabolic and caricaturesque, are one of the principal motifs found throughout the entire artistic output of the Belgian painter James…
Jardin d’amour (c.1925)
Ensor, James (1860-1949) Jardin d’amour (Love garden) c.1925 Oil on panel, 36.8 x 46 cm Museo Thyssen-Bornemisza, Madrid ©VEGAP, Madrid Carmen Thyssen Collection The characters of a masked ball appear in a garden framed, like a stage, by tall trees. To…