Tag: inscription

Portrait d’Eva Gonzalès (1870)

Manet, Édouard (1832-1883) Portrait d’Eva Gonzalès (Portrait of Eva Gonzalès) 1870 Etching on paper, 24 x 15.8 cm Rijksmuseum, Amsterdam Portrait of Manet‘s student Eva Gonzalès, profile to the right. The profile of the woman’s head is shown in just a…

Vincent Van Gogh à son lit de mort (1890)

Gachet, Paul (1828-1909) Vincent Van Gogh à son lit de mort (Vincent Van Gogh on his deathbed) 1890 Etching on paper, 12 x 16.9 cm Rijksmuseum, Amsterdam inscription: ‘Vi Van Gogh à son lit de mort (29 Juillet 1890)’ inscription: ‘Van…

Arrangement in Yellow and Gray: Effie Deans (c.1876-1878)

Whistler, James Abbott McNeill (1834-1903) Arrangement in Yellow and Gray: Effie Deans c.1876–1878 Oil on canvas, 194 x 93 cm Rijksmuseum, Amsterdam A standing young woman, full-length, in profile to the right. One of several paintings of standing women titled “Arrangement…”…

Bonaparte au pont d’Arcole (1796-1797)

Gros, Antoine-Jean (1771-1835) Bonaparte au pont d’Arcole (Bonaparte on the Bridge at Arcole) late 1796-early 1797 Oil on canvas, 134 x 104 cm Hermitage Museum, Saint Petersburg This painting, combining a battle scene with a formal portrait, was based on the artist’s personal…

Los borrachos, o El triunfo de Baco (1778)

Goya, Francisco de (1746-1828) Los borrachos, o El triunfo de Baco (Drunks, or The Triumph of Bacchus) 1778 Etching, drypoint, 39.5 x 46.5 cm Hermitage Museum, Saint Petersburg Inscription: “Pintura de Don Diego Velázquez con figuras del tamaño natural en el…

Sapho, Phaon et l’Amour (1809)

David, Jacques-Louis (1748-1825) Sapho, Phaon et l’Amour (Sappho, Phaon and Cupid) 1809 Oil on canvas, 225.3 x 262 cm Hermitage Museum, Saint Petersburg David is considered the founder and leading light of Neoclassicism, which dominated art in the late 18th and…

Cristo en la Cruz (c.1630)

Zurbarán, Francisco de (1598-1664) Cristo en la Cruz (Christ on the Cross) c.1630 Oil on canvas, 214 x 143.5 cm Museo Thyssen-Bornemisza, Madrid The present canvas was unpublished until 1918 when Hugo Kehrer included it in his monograph on Zurbarán. At…