Tag: inscription

Moi-même, Portrait-paysage (1890)

Rousseau, Henri (1844-1910) Moi-même, Portrait-paysage (Myself, Portrait-Landscape) 1890 Oil on canvas, 146 x 113 cm National Gallery, Prague His today greatly renowned Myself: Portrait – Landscape of 1890 depicts the then new way of the artist’s perception and reflects the artistic confidence…

Les artilleurs (c.1893-1895)

Rousseau, Henri (1844-1910) Les artilleurs (Artillerymen) c.1893–1895 Oil on canvas, 80.6 x 100.6 cm Guggenheim Museum, New York Henri Rousseau endured the art-historical misfortune of being a working-class late bloomer—he was a Sunday painter who only began to paint seriously in his…

Doge Leonardo Loredan (1501-1502)

Bellini, Giovanni (c.1430-1516) Doge Leonardo Loredan 1501–1502 Oil on poplar, 61.4 x 44.5 cm National Gallery, London Leonardo Loredan knows that he is being looked at, but he does not return our gaze. He is the doge, the ruler of the…

San Francesco in estasi (c.1475-1480)

Bellini, Giovanni (c.1430-1516) San Francesco in estasi (St Francis in Ecstasy) c.1475–1480 Oil on panel, 124.1 × 140.5 cm Frick Collection, New York Details of Giovanni Bellini’s birth and early life remain largely unknown. He grew up in Venice, his likely…

Il festino degli dei (1514)

Bellini, Giovanni (c.1430-1516) Il festino degli dei (The Feast of the Gods) 1514 Oil on canvas, 170 x 188 cm National Gallery of Art, Washington Completed by his disciple, Titian, in 1529 Titian‘s landscape to the left of the painting. Six…

Two Chained Monkeys (1562)

Bruegel the Elder, Pieter (c.1525-1569) Two Chained Monkeys 1562 Oil on oak panel, 19.9 x 23.3 cm Gemäldegalerie, Berlin SHELFMARK / INSCRIPTION: Inscription lower left: • BRVEGEL • MDLXII • This unusual picture dates from the year 1562, shortly before Bruegel…

The Peasant and the Nest Robber (1568)

Bruegel the Elder, Pieter (c.1525-1569) The Peasant and the Nest Robber 1568 Oil on oak, 59.3 × 68.4 × 0.7 cm Kunsthistorisches Museum, Vienna Inscribed at lower left (in gold colour): BRVEGEL M.D.LXVIII The depiction is traditionally linked with the proverb…