Michelangelo (1475-1564) Pietà 1498–1499 Carrara marble, 174 x 195 cm San Pietro, Vaticano Michelangelo‘s only signature, carved across the Virgin’s sash: “Michael. Agelus. Bonarotus Florent Faciebat”. See also: Turner, Joseph (1775-1851) The Chancel of Petworth Church 1827 Tate Britain, London
Holbein, Hans the Younger (c.1497-1543) Noli me Tangere 1526–1528 Oil on oak panel, 76.7 x 95.8 cm Royal Collection, Hampton Court Palace, London When the diarist John Evelyn saw this painting in Charles II’s Private Lodgings at Whitehall in 1680 he recorded…
Tiziano (c.1488-1576) Ecce Homo 1543 Oil on canvas, 242 x 361 cm Kunsthistorisches Museum, Vienna Signature: Referenced bottom center of the note: TITIANVS EQVES CES F. 1543 The scene was rarely depicted in Italy, but is probably explained by the Flemish origin…
Tiziano (c.1488-1576) Ecce Homo 1547 Oil on slate, 69 x 56 cm Museo del Prado, Madrid Although we do not know when Titian first treated this subject, it was probably in 1535, when he painted a Christ for Federico Gonzaga following a…
Zurbarán, Francisco de (1598-1664) Casa de Nazareth (Christ and the Virgin in the House at Nazareth) c.1640 Oil on canvas, 165 x 218.2 cm Cleveland Museum of Art, Cleveland Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation…
Zurbarán, Francisco de (1598-1664) Agnus Dei (The Lamb of God) 1635–1640 Oil on canvas, 37.3 x 62 cm Museo del Prado, Madrid A dark background and a gray table are the setting for this painting’s only motive: a merino lamb between…
Zurbarán, Francisco de (1598-1664) Cristo crucificado, con un pintor (The Crucified Christ with a Painter) c.1650 Oil on canvas, 105 x 84 cm Museo del Prado, Madrid A painter devoutly contemplates the almost-sculptural figure of Christ on the Cross, which stands…
Delacroix, Eugène (1798-1863) Pietà c.1850 Oil on canvas, 35.6 x 27 cm Nationalgalleriet, Oslo
Dürer, Albrecht (1471-1528) Christ as the Man of Sorrows c.1492–1493 Oil on panel, 19 x 30 cm Staatliche Kunsthalle, Karlsruhe Bearing the marks of martyrdom and holding the instruments used to scourge him in his hands, a pensive, exhausted man crouches…
Murillo, Bartolomé Esteban (1617-1682) Virgen con el Niño (Virgin and Child) 1670s Oil on canvas, 165.7 x 109.2 cm Metropolitan Museum of Art, New York Like Zurbarán and Velázquez, Murillo was trained in Seville, where he spent his whole career. Often referred…