Tag: jug

I beati domenicani I (c.1423-1424)

Angelico, Fra (c.1395-1455) I beati domenicani I (The Dominican Blessed) c.1423–1424 Egg tempera on wood, 31.8 x 21.9 cm National Gallery, London The Dominican Blessed, both friars and nuns, dressed in the distinctive black and white habits of the Dominican Order, are…

Francesca da Rimini et Paolo Malatesta (1819)

Ingres, Jean Auguste Dominique (1780-1867) Francesca da Rimini et Paolo Malatesta (Francesca da Rimini and Paolo Malatesta) 1819 Oil on canvas, 235 cm x 165 cm Musée Bonnat-Helleu, Bayonne Compare: Ingres, Jean Auguste Dominique (1780-1867) Paolo et Francesca 1814 Musée Condé, Chantilly  …

Paolo et Francesca (1819)

Ingres, Jean Auguste Dominique (1780-1867) Paolo et Francesca (Paolo and Francesca) 1819 Oil on canvas, 50 x 41 cm Musée des Beaux-Arts, Angers Compare: Ingres, Jean Auguste Dominique (1780-1867) Francesca da Rimini et Paolo Malatesta 1819 Musée Bonnat-Helleu, Bayonne     Ingres,…

Le bain turc (1862)

Ingres, Jean Auguste Dominique (1780-1867) Le bain turc (Turkish bath) 1862 Oil on canvas, 108 × 110 cm Musée du Louvre, Paris Circular composition. Naked bathing women from the back, from the front, in profile, in three/quarter view, sitting, standing, dancing……

Cristo e la Samaritana al pozzo (c.1596-1597)

Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) c.1596–1597 Oil on canvas, 76.5 x 63.5 cm Museum of Fine Arts, Budapest Compare: Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo 1594–1595 Pinacoteca di Brera, Milano    

Cristo e la Samaritana al pozzo (1594-1595)

Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) 1594–1595 Oil on canvas, 170 × 225 cm Pinacoteca di Brera, Milano Compare: Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo c.1596–1597 Museum of Fine Arts, Budapest    

Bacchus (1638-1640)

Rubens, Peter Paul (1577-1640) Bacchus 1638–1640 Oil on canvas, 191 x 161.3 cm Hermitage Museum, Saint Petersburg Bacchanalia was a favourite theme in Rubens‘s work, although Bacchus himself was rarely the subject of his paintings. He saw the subject as reflecting…