Lairesse, Gérard de (1641-1711) Hermes Ordering Calypso to Release Odysseus c.1670 Oil on canvas, 91.4 x 113.7 cm Cleveland Museum of Art, Cleveland Calypso, reclining on her bed, looks at us with the same charming smile she used on Odysseus. The…
Mantegna, Andrea (c.1431-1506) Baccanale con un tino di vino (Bacchanal with a Wine Vat) before 1475 Engraving and drypoint, 29.9 x 43.7 cm Metropolitan Museum of Art, New York Throughout his life, Mantegna was fascinated with classical antiquity. In the middle…
Bracquemond, Marie (1840-1916) Le goûter (The tea in the afternoon) c.1880 Oil on canvas, 99.5 x 79 cm Petit Palais, Paris See also: • Quivoron, Louise (1849-?)
Tiepolo, Giambattista (1696-1770) Scipione l’Africano libera Massiva (Scipio Africanus Freeing Massiva) 1719–1721 Oil on canvas, 279.4 x 487.6 cm Walters Art Museum, Baltimore See also: • Scipio Africanus, Publius Cornelius (236-183 BC)
Tiepolo, Giambattista (1696-1770) Il banchetto di Cleopatra (The Banquet of Cleopatra) 1743–1744 Oil on canvas, 250.3 × 357 cm National Gallery of Victoria, Melbourne See also: • Cleopatra (69-30 BC) | Egypt
Caravaggio (1571-1610) Bacco (Bacchus) c.1598 Oil on canvas, 95 x 85 cm Galleria degli Uffizi, Firenze This painting is part of the author’s early series of half-length portraits painted ‘in chiaro’, which includes works such as the ‘Fruttaiolo’ (Boy with a…
Caravaggio (1571-1610) Maddalena penitente (Penitent Magdalene) 1597 Oil on canvas, 122.5 x 98.5 cm Galleria Doria Pamphilj, Roma Portrayed in an unadorned environment and sitting on a low chair, as if crushed by the shot from above, with a single ray…
Picasso, Pablo (1881-1973) L’Ascète (The Ascetic) 1903 Oil on canvas, 118.4 x 80.6 cm Barnes Foundation, Philadelphia Between 1901 and 1904, during what is now called his Blue Period, Picasso pursued the themes of suffering and alienation, taking the sick, the…
Cassatt, Mary (1844-1926) The Child’s Bath 1893 Oil on canvas, 100.3 × 66.1 cm Art Institute of Chicago, Chicago In this work, Mary Cassatt addressed the theme for which she is best known—women and children—while also experimenting with compositional elements of…