Tag: kneeling

San Diego d’Alcalá riceve l’abito francescano (1604-1605)

Carracci, Annibale (1560-1609) San Diego d’Alcalá riceve l’abito francescano (Saint Didacus of Alcalá receiving the franciscan habit) 1604–1605 Fresco transferred to canvas, 132 x 211.1 cm Museo del Prado, Madrid Annibale Carracci painted these works without previous cartoons as part of a group…

Agonia nell’orto (c.1596-1597)

Carracci, Annibale (1560-1609) Agonia nell’orto (The Agony in the Garden) c.1596–1597 Oil on panel, 39.1 x 30.3 cm Royal Collection, Windsor Castle Against a dark background the figure of Christ kneels, his head turned right towards the figure of an angel in…

Domine, quo vadis? (1601-1602)

Carracci, Annibale (1560-1609) Domine, quo vadis? (Christ appearing to Saint Peter on the Appian Way) 1601–1602 Oil on wood, 77.4 x 56.3 cm National Gallery, London Saint Peter fled Rome after Christ’s crucifixion, scared that he too would be executed by…

Pietà con le tre Marie (c.1604)

Carracci, Annibale (1560-1609) Pietà con le tre Marie (The Dead Christ Mourned, The Three Maries) c.1604 Oil on canvas, 92.8 x 103.2 cm National Gallery, London This is perhaps the most poignant image in the National Gallery’s collection of the pietà…

L’Implorante (1898)

Claudel, Camille (1864-1943) L’Implorante (The Implorer) modeled 1898, cast c.1905 Bronze, 27.9 × 36.8 × 21.3 cm, 5.3 kg Metropolitan Museum of Art, New York Camille Claudel, Rodin’s most brilliant student, was consumed by her twelve-year affair with the sculptor. In…

L’Abandon (c.1886)

Claudel, Camille (1864-1943) L’Abandon (Abandonment) c.1886 Bronze, 42.3 x 39.1 x 20.5 cm Musée Camille Claudel, Nogent-sur-Seine

Hilando (1936)

Rivera, Diego (1886-1957) Hilando (Weaving) 1936 Tempera and oil on canvas, 66 × 106.7 cm Art Institute of Chicago, Chicago Laboring at a backstrap loom in this painting is Luz Jiménez, a master weaver and Nahua, one of the largest Indigenous…