Correggio (c.1489-1534) Giove e Io (Jupiter and Io) c.1530 Oil on canvas, 162 × 73.5 cm Kunsthistorisches Museum, Vienna Jupiter fell in love with Io, the beautiful daughter of the river god. The shy nymph wanted to flee, but the god…
Millet, Jean-François (1814-1875) Le Repos de Diane (Diana Resting) c.1845 Oil on canvas, 40.64 x 33.02 cm Los Angeles County Museum of Art, Los Angeles
Carracci, Annibale (1560-1609) Susanna e i vecchioni (Susanna and the Elders) 1604 Oil on panel, 56.8 x 86.1 cm Galleria Doria Pamphilj, Roma This is the “Casta Susanna with the two old men” on a panel by Annibale Carracci described by…
Carracci, Annibale (1560-1609) Sileno che raccoglie l’uva (Silenus gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London Using an animal skin, two laughing satyrs with pointed ears and short tails – although without the usual hairy…
Carracci, Annibale (1560-1609) Giovane Satiro che raccoglie l’uva (Young Satyr gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London A naked young satyr, just like a little boy but with pointed ears and a curly tail,…
Carracci, Annibale (1560-1609) Marsia e Olimpo (Marsyas and Olympus) 1597–1600 Oil on wood, 34.4 x 84.2 cm National Gallery, London A naked golden-haired youth sits on a rock, playing the panpipes; another set of pipes hangs from the tree behind him.…
Carracci, Annibale (1560-1609) Incoronazione della Vergine (The Coronation of the Virgin) after 1595 Oil on canvas, 117.8 x 141.3 cm Metropolitan Museum of Art, New York This majestic picture—a window onto heaven—was painted for Cardinal Pietro Aldobrandini (1571–1621) following the artist’s…
Tiziano (c.1488-1576) Madonna delle ciliegie (Cherry Madonna) c.1516–1518 Oil transferred from canvas to wood, 81.6 × 100.2 × 1.1 cm Kunsthistorisches Museum, Vienna On the left St. Joseph, on the right St. John the Boy and St. Zacharias. Similar to the…
Tiziano (c.1488-1576) Ninfa e pastore (Nymph and shepherd) c.1570–1575 Oil on canvas, 149.6 × 187 cm Kunsthistorisches Museum, Vienna The theme on which the picture is based has not yet been satisfactorily clarified, but Titian raised it to the mythical level…