Renoir, Pierre-Auguste (1841-1919) Petit nu bleu (Little Blue Nude) c.1878–1879 Oil on canvas, 46.35 x 38.1 cm Buffalo AKG Art Museum, Buffalo During the late 1870s Pierre-Auguste Renoir began applying Impressionist theory to the rendering of the human figure—a process that…
Guercino (1591-1666) Studio per Il Martirio di San Bartolomeo (Study for “The Martyrdom of Saint Bartholomew”) c.1635–1636 Red chalk on cream laid paper, 37.6 x 28.5 cm Clark Art Institute, Williamstown
Renoir, Pierre-Auguste (1841-1919) Vénus victorieuse (Venus Victorious) 1914 Bronze, 182.6 x 81.3 x 111.1 cm Clark Art Institute, Williamstown Compare: Renoir, Auguste (1841-1919) Venus Victrix 1914–1916 Musée d’Orsay, Paris
Renoir, Pierre-Auguste (1841-1919) Venus Victrix 1914–1916 Gum-lacquered patina plaster, 192 x 134 x 73 cm Musée d’Orsay, Paris Compare: Renoir, Auguste (1841-1919) Vénus victorieuse 1914 Clark Art Institute, Williamstown
Bouguereau, William-Adolphe (1825-1905) Nu assis (Seated Nude) 1884 Oil on canvas, 116.5 x 89.8 cm Clark Art Institute, Williamstown
Degas, Edgar (1834-1917) Position de quatrième devant sur la jambe gauche (Fourth Position Front on the Left Leg) c.1880s, cast 1919–1921 Bronze, 58.4 x 37.9 x 35.7 cm Clark Art Institute, Williamstown
Goya, Francisco (1746-1828) Francisco Cabarrús 1788 Oil on canvas, 210 x 127 cm Banco de España, Madrid See also: • Cabarrús, François (1752-1810)
Caravaggio (1571-1610) Riposo durante la Fuga in Egitto (Rest on the Flight into Egypt) 1597 Oil on canvas, 135.5 x 166.5 cm Galleria Doria Pamphilj, Roma
Claudel, Camille (1864-1943) Persée et la Gorgone (Perseus and the Gorgon) c.1897 Marble, 196 x 111 x 90 cm Musée Camille Claudel, Nogent-sur-Seine
Claudel, Camille (1864-1943) L’Âge mûr (The Mature Age) 1899 Bronze, 61.5 x 85 cm x 375 cm Musée Camille Claudel, Nogent-sur-Seine