Claudel, Camille (1864-1943) Les Causeuses ou Les Bavardes (The Bavardes or the Loveseats) 1893 Bronze et marbre ou albâtre teinté, 32 x 34 x 24 cm Musée Camille Claudel, Nogent-sur-Seine The Gossips, or The Chatterboxes, or The Confidence, depicts a group…
Bernini, Gian Lorenzo (1598-1680) Corpus (The Crucified Christ) c.1650 Bronze, 174 cm Art Gallery of Ontario, Toronto
Murillo, Bartolomé Esteban (1617-1682) Cristo en la cruz (Christ on the Cross) 1660–1670 Oil on canvas, 208.9 x 113 cm Timken Museum of Art, San Diego In this late painting by Bartolomé Estebán Murillo, the luminous figure of Christ appears against…
Gauguin, Paul (1848-1903) Nevermore 1897 Oil paint on canvas, 60.5 x 116 cm Courtauld Institute of Art, London Paul Gauguin painted Nevermore in February 1897, during his second and final stay in Tahiti, an island in the southern Pacific colonised by France. Intended…
Michelangelo (1475-1564) Il Sogno (The Dream) c.1533 Black chalk on laid paper, 27.8 x 39.8 cm Courtauld Institute of Art, London One of the finest Renaissance drawings, The Dream is amongst The Courtauld’s greatest treasures. The meaning of this enigmatic work is elusive,…
Courbet, Gustave (1819-1877) La Femme aux bas blancs (Woman with White Stockings) 1864 Oil on canvas, 65 x 81 cm Barnes Foundation, Philadelphia Traditionally, European painters made the nude subject decorous by presenting it as part of an edifying mythological narrative.…
Rousseau, Henri (1844-1910) Mauvaise surprise (Unpleasant Surprise) 1899–1901 Oil on canvas, 194.5 x 129.5 cm Barnes Foundation, Philadelphia The large-scale jungle scenes of Henri Rousseau are rife with violent struggles between wild animals such as lions, tigers, and horses. Here, a…
Matisse, Henri (1869-1954) Nu couché (Reclining Nude) 1923–1924 Oil on canvas, 60 x 92 cm Barnes Foundation, Philadelphia Matisse painted this work in Nice, a city in the South of France that he visited frequently in the 1920s. The canvas is…
Cézanne, Paul (1839-1906) Léda au cygne (Leda and the Swan) c.1880 (possibly later) Oil on canvas, 59.7 x 74.9 cm Barnes Foundation, Philadelphia This picture is unusual in Cézanne‘s oeuvre for its specific literary subject matter. It represents the story from Ovid‘s…
Léger, Fernand (1881-1955) Femme allongée (Reclining Woman) 1922 Oil on canvas, 64.5 × 92 cm Art Institute of Chicago, Chicago Fernand Léger first saw the work of the Cubists Georges Braque and Pablo Picasso at the Paris gallery of Daniel-Henry Kahnweiler.…